On December 21, 2019, the song "Fagun Bhar Fuslaila" was released by Shambhu Vyas, Bijali Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Rama Nandi Ke Bigral Chalaniya". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. In terms of popularity, Fagun Bhar Fuslaila is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Fagun Bhar Fuslaila by Shambhu Vyas, Bijali Rani having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tohra La Kehu Jiyela | Karina Pandey | F♯ Major | 7 | 2B | 137 BPM | ||
| Kaise Mann Ke Kahav Re Sangi Baat | Ghanshyam Mahanand, Alka Chandrakar | F♯ Major | 7 | 2B | 98 BPM | ||
| Aankho Ko Intezar Hai Sarkar Aapka | Gaurangi Gauri Ji | E♭ Major | 7 | 5B | 120 BPM | ||
| Priye Radhe Priye Radhe Radhe Radhe Priya Priya | Hita Ambrish | B Minor | 8 | 10A | 82 BPM | ||
| Jehane Kisori Humar | Kumkum Mishra | D Major | 8 | 10B | 144 BPM | ||
| Tere Pyar Mein Hamne | Attaullah Khan | F♯ Major | 7 | 2B | 152 BPM | ||
| Kaye Baithe Mann Maare | Deshraj Pateriya, Savita Parwati, Ramkripal Ray | E♭ Major | 7 | 5B | 148 BPM | ||
| Meri Jholi Bhar Dijiye | Kanhaiya Mittal | F♯ Minor | 8 | 11A | 140 BPM | ||
| Bangal Me Na Sajnwa Jaiha Ho | Sunil Superfast | E♭ Major | 9 | 5B | 157 BPM | ||
| Raksha Karo | Lakhbir Singh Lakkha | A♭ Minor | 9 | 1A | 110 BPM | ||
| Jai Jagdambe Jai | Narendra Chanchal | D♭ Major | 7 | 3B | 132 BPM | ||
| Ge Bahina Kona Ka Parichav | Dilip Dharbhangiya | F♯ Major | 9 | 2B | 115 BPM | ||
| Mhara Hariya Ban Ra Suvtiya | prakashdasswamiofficial | F♯ Major | 8 | 2B | 144 BPM | ||
| Govind Chale Aao Gopal Chale Aao | Aarti Ji | B♭ Minor | 7 | 3A | 93 BPM | ||
| Chalo Daras Bar | Dukalu Yadav | D♭ Major | 6 | 3B | 80 BPM | ||
| Tohra La Kehu Jiyela | Karina Pandey | F♯ Major | 7 | 2B | 137 BPM | ||
| Mera Aapki Kripa Se Sab Kaam Ho Raha Hai | Paras Jain | F♯ Major | 7 | 2B | 80 BPM | ||
| Pedvo Ke Saath Chhod Dela Patiyaa | Radhe Shyam Rasiya | E♭ Minor | 7 | 2A | 167 BPM | ||
| Khilona Maati Ka | Hari Om Sharan | B Major | 8 | 1B | 89 BPM | ||
| Vishesh Rajya Ke Darja | Pawan Singh | D Major | 1 | 10B | 97 BPM | ||
| Rama Nandi Ke Bigral Chalniya | Shambhu Vyas, Bijali Rani | F Major | 9 | 7B | 138 BPM | ||
| Tara Ghada Utha De | Kosinder, Rishipal, Karampal, Satpal Dosa, Ramavtar, Manju, Sunita Panchal | B♭ Minor | 9 | 3A | 88 BPM | ||
| Botel Ke Botel Pani | Aashish Yadav | E Major | 7 | 12B | 115 BPM | ||
| Deva Ho Deva Oh Saibaba | Paras Jain | E♭ Minor | 6 | 2A | 98 BPM | ||
| Angna Main Kuiyaan Raja | Deshraj Patairiya, Urmila Pandey | F Minor | 7 | 4A | 76 BPM |