Lisa Harris's 'Stretch: Extremes' had a release date set for March 20, 2011. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Stretch: Extremes's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Lisa Harris's "Love Music for Ballet Class" album is number 20 out of 33. The popularity of Stretch: Extremes is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Stretch: Extremes by Lisa Harris to be Presto (very, very fast) because the track has a tempo of 185 BPM, a half-time of 92BPM, and a double-time of 370 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Battement Jete 2/4 Watts Up | Harris, Lisa Harris | E♭ Major | 2 | 5B | 187 BPM | ||
| Barre: Pliés (Suite des fleurs) | Tadeusz Gieysztor | E♭ Major | 2 | 5B | 71 BPM | ||
| Frappé (from Don Quixote) | Douglas Schultz, Ludwig Minkus | C Major | 2 | 8B | 120 BPM | ||
| Barre: Foot Warm-up 2 | Nolwenn Collet | F Major | 0 | 7B | 109 BPM | ||
| Pumped up Kicks (Grand Battement) | A Dancer's Delight | E♭ Major | 5 | 5B | 160 BPM | ||
| Tendu Do Nothing Til You Hear From Me | Duke Ellington, Lisa Harris | A Minor | 1 | 8A | 124 BPM | ||
| Frappe 3 2/4 Song for Cosette | Harris, Lisa Harris | A Major | 3 | 11B | 76 BPM | ||
| Following the Leader (Grande Battement) | Nina Miller | E♭ Major | 0 | 5B | 77 BPM | ||
| Slow Tendu (Waltz in a Flat) | Steven Mitchell | A♭ Major | 2 | 4B | 111 BPM | ||
| Demi Plié, Grand Plié, Relevé, Port de Bras. Metre 3/4 | Vadim Proshich, MetodoVadim | G Major | 1 | 9B | 122 BPM | ||
| Adagio 4/4 My foolish heart | Young, Lisa Harris | B♭ Major | 0 | 6B | 118 BPM | ||
| Honor to Us All (From "Mulan"): Pas De Cheval 16x8 | Ray Lindsey | D Minor | 3 | 7A | 105 BPM | ||
| Pas Échappée Pointe. Metre 4/4. | Vadim Proshich, MetodoVadim | D Major | 1 | 10B | 90 BPM | ||
| Plie One Hand One Heart | Lisa Harris | B Major | 0 | 1B | 120 BPM | ||
| Plies Giselle | Debbi Parks | E Major | 1 | 12B | 107 BPM | ||
| Grande Allegro | Adrienne Ramm | G Minor | 3 | 6A | 91 BPM | ||
| Petit Allegro (from La Bayadère) | Douglas Schultz, Ludwig Minkus | G Major | 3 | 9B | 94 BPM | ||
| Tendus in 3 | Caleb Fawcett | G Major | 1 | 9B | 112 BPM | ||
| Adagio 3/4 Not while I'm around | Sondheim, Lisa Harris | D Major | 1 | 10B | 127 BPM | ||
| Grand Allegro: Majestic Waltz | Gill Civil | B♭ Major | 3 | 6B | 96 BPM | ||
| Second Pirouette Waltz (from Don Quixote) | Douglas Schultz, Ludwig Minkus | G Major | 1 | 9B | 174 BPM | ||
| Temps Leve, Changement De Pieds | Whitefeather Productions | E♭ Major | 1 | 5B | 95 BPM | ||
| Waltzing on a Cloud | Robin Rhodin | G Major | 2 | 9B | 120 BPM | ||
| Waltz 3/4 I Could Have Danced All Night | Lisa Harris | G Major | 1 | 9B | 154 BPM | ||
| Grand Battement (Malambo) | Josu Gallastegui | F Major | 2 | 7B | 125 BPM |