Distant Horizons by Michael Sweeney, Rutgers Wind Ensemble, Rutgers Symphonic Band, William Berz Song Details

"Distant Horizons" by Michael Sweeney, Rutgers Wind Ensemble, Rutgers Symphonic Band, William Berz had its release date on August 7, 2012. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Distant Horizons's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 26 in Distinguished Music for the Developing Wind Band, Vol. 1 by Rutgers Symphonic Band, Rutgers Wind Ensemble, William Berz. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Distant Horizons's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Distant Horizons by Michael Sweeney, Rutgers Wind Ensemble, Rutgers Symphonic Band, William Berz is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.

Music Key

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -17.445 dB
Acousticness: 98%
Danceability: 16%
Energy: 10%
Instrumentalness: 89%
Liveness: 13%
Loudness: 71%
Speechiness: 4%
Valence: 8%

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