Parul Rathva's ' "Me Tera Balma Tu Meri Chhamiya Part 1" was released on its scheduled release date, February 3, 2026. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Me Tera Balma Tu Meri Chhamiya Part 1 and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Based on our statistics, Me Tera Balma Tu Meri Chhamiya Part 1's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Me Tera Balma Tu Meri Chhamiya Part 1 by Parul Rathva to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rahul Bhuriya Mashup | RAHUL BHURIYA | F♯ Minor | 6 | 11A | 186 BPM | ||
| Sharat | gaman santhal, Sagar Koteshwar, Dharmesh Savli | B Minor | 9 | 10A | 132 BPM | ||
| Prem Ni Nishani Part -1 | Kallu bandodiya2, Keshav Baghel, Malsingh Baghel | G Minor | 9 | 6A | 116 BPM | ||
| Sindhi Ne Suti Edhin Muhadi Walo | Vikash Morya, Sohan Morya, Sapna Pancholi | A Minor | 9 | 8A | 130 BPM | ||
| Ramila 3 Part 9 | Deepak R Bariya, Neil Manat | F♯ Major | 9 | 2B | 136 BPM | ||
| Kala Kala Jambu | Sanjay Mandloi, Sapna Pancholi | F♯ Minor | 9 | 11A | 144 BPM | ||
| Janudi Tara Prem Ma Pati Gayo | Parul Rathva | G Major | 8 | 9B | 132 BPM | ||
| Kai Name Ch (Mahendra Seera Manor Madhopur) | Mukesh kaluwas | A♭ Major | 10 | 4B | 120 BPM | ||
| Lambo Haido 4 | Deepak R Bariya | G Major | 9 | 9B | 128 BPM | ||
| Sanj Padi Gai Tumdi Part 5 | Vk Bhuriya, Rahul Bhuriya, Niru Gohil | A♭ Major | 10 | 4B | 115 BPM | ||
| Phone Utha Aur Selfi Lelo-Kala Chashma | Vijayraj Damor, Parul Rathva, Suresh Rawat | F Minor | 10 | 4A | 115 BPM | ||
| Patang Chagave | Dev Pagli, Kamlesh Barot, Sakshi Kasta | B Minor | 9 | 10A | 132 BPM | ||
| Ankhe Pehre Chashma-Kala Chashma | Vijayraj Damor, Parul Rathva, Suresh Rawat | F Minor | 10 | 4A | 115 BPM | ||
| Lambo Haido 2 | Deepak R Bariya | G Major | 9 | 9B | 128 BPM | ||
| Sarkar He Hamari | Parul Rathva, Chirag Machhi | B Minor | 8 | 10A | 133 BPM | ||
| Radti Hinde Tar Basene Gharema | Sanjay Mandloi | F♯ Major | 9 | 2B | 144 BPM | ||
| Ghadiye Padiye Tamne Yaad Kariye | Jasvant Patel | B♭ Minor | 9 | 3A | 100 BPM | ||
| Fadiya Ma Thai Gayu Setting | Dj Anant Chitali, Smit Patel, Fenil Patel | F♯ Major | 8 | 2B | 95 BPM | ||
| Naivtali Part 3 | Anil Piplaj, Sapna Pancholi | G Major | 9 | 9B | 140 BPM | ||
| पतला पतला होठ रसीला मेवाती | Aadil Singer Mewati, SAHIL JATOLIYA | C Major | 10 | 8B | 120 BPM | ||
| Danger Zone Full Track | Parul Rathva | E Major | 6 | 12B | 110 BPM | ||
| Madh Rate Madhro Pidho | Parul Rathva | B Minor | 8 | 10A | 132 BPM | ||
| Tara Upar Juvanay Drone Camera Udaduli | Ghanshyam Rathva | G Major | 8 | 9B | 144 BPM | ||
| Van Ma Bole Koyaldi | Jeliya Bhuriya | B♭ Major | 8 | 6B | 135 BPM | ||
| HD Express 4 | Jasvant Patel | A Major | 9 | 11B | 127 BPM |