Yasumasa Kitagawa's ' "Melancholy Circle" was released on its scheduled release date, November 20, 2015. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 46 out of 115 in E.X.TROOPERS - ORIGINAL SOUNDTRACK by Capcom Sound Team. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, Melancholy Circle's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Melancholy Circle by Yasumasa Kitagawa is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Most Profaned Fragment | 祖堅 正慶 | D Minor | 8 | 7A | 132 BPM | ||
| Battle at Journey's End | Yasunori Nishiki | B♭ Minor | 9 | 3A | 82 BPM | ||
| Cyclopes | Vanguard Sound, RabbitJ, 赛博传媒-2064 | B Minor | 9 | 10A | 150 BPM | ||
| GRAVITY | Yasumasa Kitagawa | A♭ Major | 9 | 4B | 140 BPM | ||
| World of Chaos | Yasunori Nishiki, Tsutomu Narita, 植松伸夫 | D Major | 7 | 10B | 132 BPM | ||
| Lovely, Dark, and Deep - The Greatwood | 祖堅 正慶 | G Minor | 8 | 6A | 80 BPM | ||
| Perpetual Battlefield | 鈴木光人 | B♭ Minor | 8 | 3A | 160 BPM | ||
| Nested Insecurities | いとうけいすけ | G Major | 3 | 9B | 120 BPM | ||
| Unseen Abyss | 鈴木光人, Naoshi Mizuta | B♭ Major | 10 | 6B | 160 BPM | ||
| Battle! (Colress) - Arrangement | The Zame | D♭ Major | 10 | 3B | 157 BPM | ||
| Another Sky | Johnny.k, 鴇沢直, Tsutomu Narita | F Minor | 9 | 4A | 145 BPM | ||
| The Worm Mounts | 祖堅 正慶 | E Minor | 7 | 9A | 78 BPM | ||
| Spark from DISSIDIA FINAL FANTASY OPERA OMNIA | Takeharu Ishimoto | E Minor | 9 | 9A | 150 BPM | ||
| 亜双義一真 ~使命のサムライ | Capcom Sound Team | B Minor | 5 | 10A | 95 BPM | ||
| 万有引力の発見 | SIE Sound Team | A♭ Major | 3 | 4B | 79 BPM | ||
| The Professor - A Spectre Revived | Hiromitsu Maeba | C Major | 2 | 8B | 105 BPM | ||
| Mission to the Deep Space | 桜庭 統 | E Minor | 9 | 9A | 150 BPM | ||
| Battle I | Yasunori Nishiki | A♭ Major | 7 | 4B | 155 BPM | ||
| Arcane Incantation | Keisuke Ito | E Minor | 2 | 9A | 108 BPM | ||
| 「Trisection - arrange -」 from FINAL FANTASY TACTICS | 石元丈晴, 佐藤賢太郎 | C Major | 9 | 8B | 160 BPM | ||
| Labyrinth of Darkness | 竹田 隼大 | E♭ Major | 4 | 5B | 125 BPM | ||
| TAMASHII - Climax | Ryoko Shiraishi, TEKKEN Project, Bandai Namco Game Music | B Minor | 8 | 10A | 100 BPM | ||
| 捜査 ~序盤 2009 | 山田靖子 | F Major | 9 | 7B | 156 BPM | ||
| Sweet Home | いとうけいすけ | G Major | 3 | 9B | 120 BPM | ||
| Lacrimosa of Dana | Falcom Sound Team jdk | A♭ Major | 2 | 4B | 71 BPM |