Paul Leonard-Morgan's 'How Stars Are Born' had a release date set for October 17, 2025. This song is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The song is number 22 out of 26 in Deep Sky (Original Motion Picture Soundtrack) by Paul Leonard-Morgan. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. How Stars Are Born is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of How Stars Are Born by Paul Leonard-Morgan is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Whisper | Petri Alanko | B♭ Minor | 1 | 3A | 120 BPM | ||
| A Better Place | Jed Palmer | E Minor | 5 | 9A | 141 BPM | ||
| How It Ends | Atli Örvarsson | A♭ Major | 7 | 4B | 112 BPM | ||
| Ex Luna Scientia - Requiem | Max Richter | C Minor | 2 | 5A | 120 BPM | ||
| Menu - Limbo Orchestrated | Variable Star, Martin Stig Andersen | D Minor | 2 | 7A | 108 BPM | ||
| Harpoon | Rob Simonsen | F Minor | 2 | 4A | 131 BPM | ||
| Alive | Theodore Shapiro | D♭ Major | 3 | 3B | 136 BPM | ||
| Nothing Left to Be | Atticus Ross, Leopold Ross, Nick Chuba | C Major | 1 | 8B | 83 BPM | ||
| Formations | Rob Cairns | E Major | 2 | 12B | 117 BPM | ||
| Mare Tranquillitatis | Acoustic Labs | F Major | 4 | 7B | 128 BPM | ||
| 1.3_5-da3m0nsneverstop.caf | Mac Quayle | C Minor | 4 | 5A | 120 BPM | ||
| Let Them Up | Junkie XL | C Major | 5 | 8B | 123 BPM | ||
| Making Water | Harry Gregson-Williams | B♭ Major | 3 | 6B | 116 BPM | ||
| Jupiter | Anne Nikitin, Jessica Jones | G Major | 2 | 9B | 94 BPM | ||
| Main Menu | Michael McCann | G Minor | 3 | 6A | 99 BPM | ||
| Rubber Head | Cliff Martinez | E Major | 1 | 12B | 67 BPM | ||
| Uncharted Worlds | Sam Hulick, EA Games Soundtrack | C Minor | 3 | 5A | 120 BPM | ||
| Harvest | Daniel L.K. Caldwell | F Minor | 1 | 4A | 115 BPM | ||
| The Birds Are Doing That | Cliff Martinez | F Major | 1 | 7B | 166 BPM | ||
| Tunnel Exit | Rupert Gregson-Williams | D Major | 1 | 10B | 80 BPM | ||
| Soulless Meat Puppet | Ludvig Forssell | D♭ Minor | 1 | 12A | 184 BPM | ||
| Up the Down Trench | Thomas Newman | G Major | 3 | 9B | 194 BPM | ||
| Calibre | Anne Nikitin | B♭ Major | 2 | 6B | 74 BPM | ||
| You Can't Hide From Us (From "Cyberpunk 2077: Phantom Liberty" Score) | P.T. Adamczyk | F Major | 4 | 7B | 89 BPM | ||
| Limetown | Ronit Kirchman | A Minor | 3 | 8A | 65 BPM |