Josef Rheinberger, Massimo Gabba's 'Sonata n. 4 in La min. op. 98: Tempo Moderato' had a release date set for January 1, 2004. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Organo Famiglia Carrera 1828 e Organo Alessandro Collino e figli 1861, Cattedrale di S. Evasio, Casale Monferrato (AL)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Italy. Sonata n. 4 in La min. op. 98: Tempo Moderato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata n. 4 in La min. op. 98: Tempo Moderato by Josef Rheinberger, Massimo Gabba having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Requiem canticorum: Introit | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F♯ Minor | 0 | 11A | 70 BPM | ||
| Thou Knowest, Lord, the Secrets of Our Hearts, Z. 58c | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | E♭ Major | 1 | 5B | 130 BPM | ||
| Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
| Crucifixus | Antonio Lotti, Armonico Consort, Christopher Monks | C Minor | 1 | 5A | 127 BPM | ||
| Missa Sanctae Crucis, MH 56: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | E♭ Major | 1 | 5B | 139 BPM | ||
| Missa Benevola: VII. Agnus Dei | Orazio Benevoli, I Fagiolini, Robert Hollingworth, The City Musick | G Major | 0 | 9B | 72 BPM | ||
| To Dionysus | The Rosslyn Singers, Mary Oliver | E Major | 2 | 12B | 77 BPM | ||
| Drei geistliche Gesänge, Op. 69 "Bleib bei uns": No. 3 in F Major, Abendlied | Josef Rheinberger, Cantus Novus Wien, Thomas Holmes | F Major | 2 | 7B | 79 BPM | ||
| Mass in E-Flat Major, Op. 109 "Cantus Missae": I. Kyrie | Josef Rheinberger, Westminster Cathedral Choir, Martin Baker | E♭ Major | 2 | 5B | 131 BPM | ||
| Parce mihi, Domine | Cristobal de Morales, Erik Westberg Vocal Ensemble, Anders Paulsson | B♭ Major | 0 | 6B | 73 BPM | ||
| Gandrille: Magnificat, Op. 50: I. Magnificat | Jean-Charles Gandrille, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | C Minor | 3 | 5A | 84 BPM | ||
| The Crucifixion: IX. Chorus – God so loved the world | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | E Major | 2 | 12B | 76 BPM | ||
| Messe brève No. 7: V. Agnus Dei | Charles Gounod, Mirko Ludwig, Gunter Troje, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | G Major | 6 | 9B | 128 BPM | ||
| Rheinberger : Cantilene F-dur [from Sonata No.11 Op.148] | Josef Rheinberger, Kalevi Kiviniemi | F Major | 0 | 7B | 132 BPM | ||
| Eight Part Songs, Op. 115: III. The Blue Bird | Charles Villiers Stanford, National Youth Choir Of Great Britain, Bethany Partridge, Christopher Hann | F♯ Major | 0 | 2B | 77 BPM | ||
| Ely of July | Douglas Balliett, Reginald Mobley, Brandon J. Acker | A♭ Major | 0 | 4B | 66 BPM | ||
| Liturgy of St. John Chrysostom: No. 4, Only-Begotten Son (The Hymn of Justinian) | Benedict Sheehan, The Saint Tikhon Choir | C Major | 1 | 8B | 69 BPM | ||
| 3 Nocturnes: No. 1. Ballade to the Moon | Daniel Elder, Westminster Choir, John Hudson, Joe Miller | E Minor | 1 | 9A | 68 BPM | ||
| När natten skänker frid | Karin Rehnqvist, Stockholms Musikgymnasium Chamber Choir, Helene Stureborg | B♭ Major | 0 | 6B | 136 BPM | ||
| St. Matthew Passion, BWV 244, Pt. 1 (Excerpts): No. 54, O Sacred Head Surrounded by Crown of Piercing Thorn! [Arr. for Choir] | Johann Sebastian Bach, The Bach Choir, David Hill | F Major | 1 | 7B | 176 BPM | ||
| Mass in E-Flat, 'Cantus Missæ', Op. 109: Kyrie | Josef Rheinberger, Maria Magdalena Chamber Choir, Mats Nilsson | E♭ Major | 2 | 5B | 140 BPM | ||
| The Bread of Life: Our Father | Bob Chilcott, Wellensian Consort, Christopher Finch | A♭ Major | 0 | 4B | 75 BPM | ||
| Miserere | Antonio Lotti, Cantores Minores Ensemble, Filip Hayrynen | A♭ Minor | 2 | 1A | 108 BPM | ||
| Psaume 115 "Je crois, et je parlerai" | Yves Castagnet, Maîtrise de Saint-Christophe de Javel, Henri Chalet | D Major | 0 | 10B | 67 BPM | ||
| Stranger | Yuri Alexandrovich Falik, Latvijas Radio koris, Sigvards Kļava | A Minor | 1 | 8A | 111 BPM |