Pantico Rocha, Alexandre Garnizé, Joe Lima, Ricardo Vignini, Airton Montezuma's ' "A divina comédia" was released on its scheduled release date, June 12, 2019. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Tudo que passa é permanente". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Brazil. Based on our statistics, A divina comédia's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With A divina comédia by Pantico Rocha, Alexandre Garnizé, Joe Lima, Ricardo Vignini, Airton Montezuma having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fora da Cadência | Rodrigo Maranhão | A Major | 5 | 11B | 145 BPM | ||
| Abraço Mar | Islan | E Minor | 7 | 9A | 120 BPM | ||
| Cascudo (As Sereias do Caruaru) | Naná Vasconcelos | A Minor | 5 | 8A | 100 BPM | ||
| Tem Gringo em Abbey Road | FRONT, Rodrigo Santos, Ricardo Bacelar | G Major | 9 | 9B | 106 BPM | ||
| Eu, Tu, Elxs | Ricardo Breim, Chico César, Toninho Ferragutti | D Minor | 5 | 7A | 120 BPM | ||
| O Velho León e Natália em Coyoacán | Vitor Ramil, Milton Vieira, Vagner Cunha | B Major | 3 | 1B | 124 BPM | ||
| Rosa e Maria | Pantico Rocha, Alexandre Garnizé, Joe Lima, Roberto Stepheson, André Siqueira, Airton Montezuma | B Minor | 5 | 10A | 139 BPM | ||
| Lá e Lô | Lenine, Marcos Suzano | E Minor | 7 | 9A | 80 BPM | ||
| Jimbo No Jazz - Live | João Bosco | F♯ Major | 3 | 2B | 103 BPM | ||
| Acauã | Quinteto Violado | A Major | 5 | 11B | 86 BPM | ||
| Caribenha Nação / Tuareguê Nagô | Lenine, Marcos Suzano | E Minor | 7 | 9A | 80 BPM | ||
| Nino, o Pernambuquinho | Orquestra Popular Marafreboi | A♭ Major | 6 | 4B | 158 BPM | ||
| Oyá Onira | Tom Dias | B Minor | 3 | 10A | 92 BPM | ||
| Valei-Me | Alexandre Gois e Joaquim Pessoa | A Major | 5 | 11B | 145 BPM | ||
| Amaruê | John Jazz | B♭ Minor | 6 | 3A | 95 BPM | ||
| Nem Samba Nem Sandra Nem Mar | Pantico Rocha, Gabriela Nunes | A Major | 6 | 11B | 156 BPM | ||
| Espaço Estático | Victor Seixas | B Minor | 5 | 10A | 144 BPM | ||
| Aluvião | Tuca Zamagna, Toninho Horta, Regina Belisario | A Major | 5 | 11B | 145 BPM | ||
| PRÉ-PÓS-TUDO-BOSSA-BAND | Zélia Duncan | E Major | 6 | 12B | 118 BPM | ||
| Deseje O Bem | Samir Matos | G Major | 7 | 9B | 116 BPM | ||
| Fora do Quadro | Victor Seixas | B Minor | 5 | 10A | 144 BPM | ||
| Puro Ouro | Alfredo, João, Moyseis, Pedro, Alfredo del Penho, João Cavalcanti, Moyseis Marques, Pedro Miranda | D Major | 5 | 10B | 107 BPM | ||
| Yoshi | Crombie | B Major | 4 | 1B | 105 BPM | ||
| A Lenda do Abaeté | Anna Setton | C Minor | 4 | 5A | 114 BPM | ||
| Valsa Afojubá | Eduardo Pinheiro, João Afojubá | F Minor | 4 | 4A | 136 BPM |