Carl Rütti, Martin Hobi's ' "Fries der Lauschenden: IX. Die Erwartende" was released on its scheduled release date, July 15, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 26 in the song's album "Rütti: Exodus-Messe, Fries der Lauschende - Walter: Peom". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Switzerland. Based on our statistics, Fries der Lauschenden: IX. Die Erwartende's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Fries der Lauschenden: IX. Die Erwartende by Carl Rütti, Martin Hobi having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Mass: Gloria | Patrick Cassidy, Laude, David Harris, Christoph Bull | C Minor | 1 | 5A | 76 BPM | ||
| The Bells – A Collaboration | Klaudia Rabiega, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta | A♭ Minor | 1 | 1A | 112 BPM | ||
| Vexilla regis, WAB 51 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | F Major | 0 | 7B | 82 BPM | ||
| Media Vita | Kerensa Briggs, Reading Phoenix Choir, Christoper Hann | F♯ Major | 1 | 2B | 104 BPM | ||
| From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 4, Aspiration | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | C Major | 0 | 8B | 92 BPM | ||
| Requiem for the Living: V. Lux Aeterna | Providence Singers, Christine Noel, Kilian Mooney | G Major | 1 | 9B | 86 BPM | ||
| Requiem, Op. 9: VI. Agnus Dei | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | B♭ Major | 0 | 6B | 131 BPM | ||
| Das Mädchen or Ecce ancilla Domini | Carl Rütti, Christopher Duarte | A Major | 0 | 11B | 133 BPM | ||
| Komm, Heiliger Geist, Op. 67, No. 3 | Albert Becker, Windsbacher Knabenchor, Martin Lehmann | G Major | 1 | 9B | 80 BPM | ||
| Ich liege und schlafe | Athesinus Consort Berlin, Klaus-Martin Bresgott | A Major | 0 | 11B | 77 BPM | ||
| Chorale for Ascension Day (Easter Chorale) | Samuel Barber, Ormond College Choir, Douglas Lawrence | D♭ Minor | 1 | 12A | 126 BPM | ||
| God Grant with Grace | Thomas Tallis, VOCES8 | B♭ Minor | 0 | 3A | 79 BPM | ||
| Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | ||
| Communion Service in C Major: Agnus Dei | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | F Major | 1 | 7B | 71 BPM | ||
| Veni Creator Spiritus: Organ Solo | Carl Rütti, Ian Moore, Anne Page | E Major | 1 | 12B | 137 BPM | ||
| Rosite Nebesa Odozgor | Oratorijski zbor crkve sv. Marka Cantores sancti Marci | C Major | 1 | 8B | 130 BPM | ||
| A solis ortus cardine | Voci di Sorelle | E♭ Major | 1 | 5B | 87 BPM | ||
| All-night Vigil, Op. 44: Vzbrannoy voyevode | Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker | A Minor | 0 | 8A | 78 BPM | ||
| Motetti per concerti ecclesiastici: No. 8, Quem vidistis pastores | Giovanni Bassano, Il Pomo D'oro, Giuseppe Maletto | G Minor | 1 | 6A | 100 BPM | ||
| All-night Vigil, Op. 37: No. 6, Rejoice, O Virgin "Ave Maria" | Sergei Rachmaninoff, MDR Rundfunkchor, Risto Joost | D Major | 2 | 10B | 102 BPM | ||
| 4 Motets sur des thèmes grégoriens, Op. 10: No. 4, Tantum Ergo | Maurice Duruflé, Westminster Williamson Voices, James Jordan | C Minor | 1 | 5A | 88 BPM | ||
| Halleluja | Melchior Vulpius, Gunnar Mørch, Sandefjord Jentekor, Sverre Valen | C Major | 1 | 8B | 94 BPM | ||
| Alma Redemptoris | University of King's College Chapel Choir, Paul Halley | E♭ Major | 1 | 5B | 84 BPM | ||
| Jesus Christ is Risen Today | Basilica of the National Shrine of the Immaculate Conception Choir | F Major | 2 | 7B | 74 BPM | ||
| Thou Knowest, Lord, the Secrets of Our Hearts, Z. 58c | Henry Purcell, The Gesualdo Six, Owain Park | D Minor | 2 | 7A | 69 BPM |