Christopher Phillips's 'Take My Life and Let It Be' had a release date set for January 1, 2006. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 22 out of 30 in A Conversation With God by Christopher Phillips. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Take My Life and Let It Be is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Take My Life and Let It Be by Christopher Phillips is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shorebirds | Jane Leslie | D Major | 2 | 10B | 64 BPM | ||
| Saknes (klavierversija) | Eduards Ozoliņš | E♭ Major | 1 | 5B | 142 BPM | ||
| El Condor Pasa (If I Could) | Christopher Phillips | B♭ Major | 1 | 6B | 82 BPM | ||
| View from Nowhere | Gary Girouard | F♯ Major | 1 | 2B | 125 BPM | ||
| An American Song | Jane Leslie | C Major | 0 | 8B | 90 BPM | ||
| Time After Time | Jamie Conway | C Major | 2 | 8B | 120 BPM | ||
| I Still Have Faith in You | Maximizer SE | E♭ Major | 1 | 5B | 141 BPM | ||
| In This Hour (Sweet Hour of Prayer) | Andy Tallent | D Major | 1 | 10B | 103 BPM | ||
| The Longest Time | Christopher Phillips | E♭ Major | 2 | 5B | 81 BPM | ||
| Above the Clouds | Gary Girouard | E♭ Major | 2 | 5B | 147 BPM | ||
| Remember When | Joe Yamada | E Major | 2 | 12B | 124 BPM | ||
| Tears In Heaven | Francesco Digilio | A Major | 0 | 11B | 64 BPM | ||
| By Your Side | Keith Martinson | D Major | 0 | 10B | 74 BPM | ||
| Misterios revelados | Auren El Fino | A Minor | 3 | 8A | 63 BPM | ||
| Even The Nights Are Better - Piano Acoustic | CPH | F Major | 2 | 7B | 107 BPM | ||
| When All Is Said and Done - Instrumental | Mark Pentleton | E Major | 6 | 12B | 90 BPM | ||
| Mirror | REIMAX | G Major | 1 | 9B | 75 BPM | ||
| Romanzo | Piano Fantasy | F Major | 2 | 7B | 128 BPM | ||
| Tra i rami | DAVIDE FERRO | G Major | 1 | 9B | 75 BPM | ||
| Look | Renan Napoli | B♭ Major | 2 | 6B | 128 BPM | ||
| Goodbye Yellow Brick Road | Georg Erixon | F Major | 2 | 7B | 120 BPM | ||
| Beauty and the Beast (From "Beauty and the Beast”) | Marilyn Byrnes | G Major | 1 | 9B | 81 BPM | ||
| Southampton Sunset | Jane Leslie | E♭ Major | 0 | 5B | 109 BPM | ||
| November Rain | Jeremy Weinglass | C Major | 2 | 8B | 84 BPM | ||
| Stargaze | Vijey Adhithya | B Minor | 3 | 10A | 124 BPM |