"Reception Waltzer" by Maurizio Malagnini had its release date on August 26, 2013. With This song being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "The Paradise (Original Television Soundtrack)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Reception Waltzer is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Reception Waltzer by Maurizio Malagnini having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'll Always Go Back To That Church | Academy of St. Martin in the Fields, Gabriel Yared | D Major | 2 | 10B | 133 BPM | ||
| Rooms Behind Rooms | Federico Jusid | D Minor | 1 | 7A | 71 BPM | ||
| Swan's Dream | Maurizio Malagnini | C Major | 2 | 8B | 141 BPM | ||
| Camelia Dance | Johnny Pearson | C Major | 2 | 8B | 103 BPM | ||
| Madame | Matthieu Gonet | C Major | 1 | 8B | 120 BPM | ||
| Main Title / Prologue | William Ross | A Minor | 3 | 8A | 108 BPM | ||
| Are You Hearing This / Charlie's Sweet Inner Nature | Rolfe Kent | C Major | 0 | 8B | 79 BPM | ||
| The Last Dance | Samuel Sim | G Major | 2 | 9B | 151 BPM | ||
| Future Happiness | Paul Reeves | C Major | 3 | 8B | 139 BPM | ||
| Spring Days | Patrick Thomas Hawes | E♭ Major | 2 | 5B | 103 BPM | ||
| Les retrouvailles | Philippe Rombi | D Minor | 1 | 7A | 72 BPM | ||
| Bag Of Bones | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Yarmouth | Christopher Willis | G Major | 2 | 9B | 74 BPM | ||
| Calm After Storm | Gabriel Yared | G Major | 2 | 9B | 85 BPM | ||
| The Guernsey Literary And Potato Peel Pie Society | Alexandra Harwood | G Major | 2 | 9B | 116 BPM | ||
| No Tears | Anne Dudley | B Major | 1 | 1B | 115 BPM | ||
| That's What Friends Are For | Hannes De Maeyer, Ruben de Gheselle | E Minor | 1 | 9A | 113 BPM | ||
| Packing for the Voyage | Michael Brook | A Minor | 2 | 8A | 82 BPM | ||
| Ocean of Dreams | Moscow Symphony Orchestra, Ian Mulder | B♭ Major | 3 | 6B | 136 BPM | ||
| Catherine and Harry | Chris Egan, Samuel Sim | B Major | 0 | 1B | 88 BPM | ||
| Morning On Boston Common | Randy Edelman | E♭ Major | 4 | 5B | 80 BPM | ||
| Chasing Natasha | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Prophecies and Dreams | Debbie Wiseman | F Major | 0 | 7B | 132 BPM | ||
| Knightley's Walk | Samuel Sim | G Major | 1 | 9B | 92 BPM | ||
| La Boda | Ivan Palomares | D Major | 2 | 10B | 64 BPM |