Odetta's ' "Mean And Evil" was released on its scheduled release date, January 1, 2006. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Mean And Evil's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Odetta's "Livin' With The Blues" album is number 2 out of 20. On top of that, United States appears to be the country where this track was created. Mean And Evil is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Mean And Evil by Odetta to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Soulful Dress | Sugar Pie DeSanto | G Minor | 5 | 6A | 88 BPM | ||
| Jimmy Jean | Ellen McIlwaine | F♯ Major | 6 | 2B | 103 BPM | ||
| Candy Man | Mississippi John Hurt | G Major | 2 | 9B | 95 BPM | ||
| I've Got Reasons | Mary Jane Hooper | B♭ Minor | 6 | 3A | 95 BPM | ||
| The Outside Man | Junior Parker | A Major | 4 | 11B | 95 BPM | ||
| Work, Work, Work | Lee Dorsey | E♭ Major | 4 | 5B | 97 BPM | ||
| A Change Is Going To Come | Baby Huey | F♯ Minor | 3 | 11A | 105 BPM | ||
| Who'll Pay Reparations on My Soul? | Gil Scott-Heron | F♯ Major | 8 | 2B | 172 BPM | ||
| There's A Light | Shirley Ann Lee | C Minor | 3 | 5A | 133 BPM | ||
| Ode To Billie Joe | Nancy Wilson | F♯ Major | 5 | 2B | 94 BPM | ||
| Space Girl - Bonus Track | Shirley Collins | F Minor | 2 | 4A | 94 BPM | ||
| Tramp | Lowell Fulson | E Minor | 3 | 9A | 113 BPM | ||
| I'm A King Bee | Slim Harpo | B♭ Minor | 6 | 3A | 113 BPM | ||
| Stay Away | Charles Bradley, Menahan Street Band | A Minor | 7 | 8A | 89 BPM | ||
| No Expectations | Odetta | G Major | 2 | 9B | 71 BPM | ||
| Poor Moon - Bonus Track | Canned Heat | D♭ Major | 2 | 3B | 141 BPM | ||
| You Left The Water Running | Otis Redding | F♯ Major | 5 | 2B | 110 BPM | ||
| Get out of My Life, Woman | Lee Dorsey | B Major | 4 | 1B | 85 BPM | ||
| Insane Asylum - Single Version | Koko Taylor, Willie Dixon | A Major | 5 | 11B | 187 BPM | ||
| The Weight | The Staple Singers | B♭ Major | 4 | 6B | 76 BPM | ||
| Have You Been Good to Yourself | Johnnie Frierson | D Major | 2 | 10B | 90 BPM | ||
| So Fine | The Chambers Brothers | G Major | 3 | 9B | 119 BPM | ||
| Tom Cat | Muddy Waters | E Major | 2 | 12B | 82 BPM | ||
| Working-Class Woman | Barbara Dane | C Major | 3 | 8B | 90 BPM | ||
| Long Ago, Far Away | Odetta | E Major | 5 | 12B | 92 BPM |