On January 10, 2025, the song "Wein, Weib und Gesang, Walzer, Op. 333" was released by Johann Strauss II, Riccardo Muti, Wiener Philharmoniker. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 19 in the song's album "Neujahrskonzert 2025 / New Year's Concert 2025 / Concert du Nouvel An 2025". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Wein, Weib und Gesang, Walzer, Op. 333 is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Wein, Weib und Gesang, Walzer, Op. 333 by Johann Strauss II, Riccardo Muti, Wiener Philharmoniker having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Giselle, Act I: No. 3, Loys seul – Entrée de Giselle | Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 73 BPM | ||
| Aida: Overture (Prelude) | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | D Major | 0 | 10B | 91 BPM | ||
| Freiheits-Marsch, Op. 226 | Johann Strauss I, Zubin Mehta, Wiener Philharmoniker | B Minor | 3 | 10A | 100 BPM | ||
| Strauss, Josef: Geheime Anziehungskräfte, Op. 173 | Josef Strauss, Rudolf Kempe, Wiener Philharmoniker | E Major | 1 | 12B | 144 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 1 | 7B | 90 BPM | ||
| Hungarian Dance No.20 In E Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 1 | 9A | 76 BPM | ||
| Symphony No. 8 in C Minor, WAB 108 (1887/90 Versions, Ed. Haas): IV. Finale. Feierlich, nicht schnell | Anton Bruckner, Wiener Philharmoniker, Pierre Boulez | B♭ Minor | 1 | 3A | 78 BPM | ||
| Spartacus: Adagio of Spartacus and Phrygia | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 1 | 4B | 129 BPM | ||
| Karelia Suite, Op. 11: I. Intermezzo. Moderato | Jean Sibelius, Susanna Mälkki, Helsinki Philharmonic Orchestra | E♭ Major | 1 | 5B | 99 BPM | ||
| The Tempest, Op. 109: III. Allegretto grazioso | Jean Sibelius, Santtu-Matias Rouvali, Gothenburg Symphony Orchestra | G Major | 3 | 9B | 110 BPM | ||
| Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso | Antonín Dvořák, Czech Philharmonic, Semyon Bychkov | B♭ Major | 1 | 6B | 75 BPM | ||
| Fingal's Cave Overture | The Band Of H.M. Royal Marines | B♭ Major | 1 | 6B | 89 BPM | ||
| Nachtschwärmer, Walzer, Op. 466 | Carl Michael Ziehrer, Daniel Barenboim, Wiener Philharmoniker | G Major | 1 | 9B | 98 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
| Weber: Der Freischütz, Op. 77, J. 277, Act 1: Böhmischer Walzer | Carl Maria von Weber, Joseph Keilberth, Berliner Philharmoniker | G Major | 5 | 9B | 119 BPM | ||
| Bullets And Bayonets | Slovak Radio Symphony Orchestra, John Philip Sousa | F Major | 3 | 7B | 128 BPM | ||
| Bauern-Polka | Johann Strauss Orchester | G Major | 3 | 9B | 99 BPM | ||
| Strauss I, J: Radetzky-Marsch, Op. 228 | Johann Strauss I, Nikolaus Harnoncourt, Wiener Philharmoniker | A Major | 4 | 11B | 94 BPM | ||
| Prelude to "La princesse lointaine", Op. 4 | Nikolai Tcherepnin, Bamberg Symphony, Łukasz Borowicz | A Major | 1 | 11B | 111 BPM | ||
| Giselle, Act II: No. 16, Finale | Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 105 BPM | ||
| Symphony No. 4 in E-Flat Major, WAB 104 “Romantic” (1886 Version, Ed. Nowak): I. Bewegt, nicht zu schnell | Anton Bruckner, Wiener Philharmoniker, Claudio Abbado | E♭ Major | 1 | 5B | 113 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 3 in F Major. Allegretto (Orch. Brahms) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 77 BPM | ||
| Strauss: Dorfschwalben aus Österreich Op. 164 | Josef Strauss, Nikolaus Harnoncourt, Wiener Philharmoniker | E♭ Major | 1 | 5B | 180 BPM | ||
| Spartacus: Victory of Spartacus | Aram Khachaturian, Wiener Philharmoniker | C Major | 5 | 8B | 74 BPM | ||
| Pini di Roma, P. 141: IV. I pini della Via Appia | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli, Johannes Geffert | E♭ Major | 4 | 5B | 124 BPM |