"To Beast Or Not To Beast" by Henry Jackman had its release date on May 30, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of X-MEN: FIRST CLASS by Henry Jackman. The song's track number on the album is #13 out of 20 tracks. To Beast Or Not To Beast is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since To Beast Or Not To Beast by Henry Jackman has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With To Beast Or Not To Beast being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Rise of the Beast | West Dylan Thordson | D Major | 2 | 10B | 81 BPM | ||
| Countdown | Henry Jackman | C Major | 2 | 8B | 82 BPM | ||
| Justice Is Done | Dean Grinsfelder | F♯ Minor | 1 | 11A | 140 BPM | ||
| Evey's Story | Dario Marianelli | E Minor | 0 | 9A | 95 BPM | ||
| Luisa's Birthmark | Tom Tykwer, Johnny Klimek, Reinhold Heil | A♭ Major | 1 | 4B | 65 BPM | ||
| Entering Enemy Territory | Pinar Toprak | D♭ Major | 3 | 3B | 139 BPM | ||
| Standing Man - From "Bridge of Spies"/Score | Thomas Newman | A♭ Major | 0 | 4B | 69 BPM | ||
| As Far Away As Possible | Paul Haslinger | B Major | 3 | 1B | 97 BPM | ||
| Kruger Suits Up | Ryan Amon | D♭ Major | 5 | 3B | 100 BPM | ||
| Second Resurrection | Rob Simonsen | G Major | 1 | 9B | 78 BPM | ||
| House Fight V1 | John Debney | C Major | 2 | 8B | 159 BPM | ||
| Ancestral Call | Henry Jackman | D Major | 0 | 10B | 86 BPM | ||
| Deportation | Ryan Amon | D♭ Major | 6 | 3B | 130 BPM | ||
| The Knockdown | Roque Baños | A Major | 4 | 11B | 98 BPM | ||
| True Colours | Henry Jackman | F Major | 2 | 7B | 112 BPM | ||
| Tus Mejores Cartas | toribio | A♭ Major | 4 | 4B | 180 BPM | ||
| Whispers in the Dark | Nuno Rome | D♭ Major | 1 | 3B | 36 BPM | ||
| Catch Up | Natalie Holt | G Minor | 5 | 6A | 100 BPM | ||
| Brom's Story | James Shearman | C Major | 1 | 8B | 78 BPM | ||
| The Mouse | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 0 | 8B | 53 BPM | ||
| Your Secret is Safe | Atli Örvarsson | F Major | 1 | 7B | 97 BPM | ||
| Meld-Merized | Michael Giacchino | F Major | 1 | 7B | 59 BPM | ||
| Sloosha's Hollow | Tom Tykwer, Johnny Klimek, Reinhold Heil, Gabriel Mounsey | D Major | 1 | 10B | 80 BPM | ||
| Hela vs. Asgard | Mark Mothersbaugh | F♯ Minor | 3 | 11A | 131 BPM | ||
| Pretty Far From Brooklyn | Atli Örvarsson | C Major | 1 | 8B | 79 BPM |