On December 16, 2010, the song "Afternoon in Crossbell" was released by Falcom Sound Team jdk. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Afternoon in Crossbell's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "The Legend of Heroes: Zero No Kiseki Original Soundtrack Vol.1". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Japan. Afternoon in Crossbell is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Afternoon in Crossbell by Falcom Sound Team jdk having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tutorial Session | flashygoodness | A Minor | 9 | 8A | 130 BPM | ||
| 笛吹き | Capcom Sound Team | E♭ Major | 5 | 5B | 160 BPM | ||
| A Curious Tale | Hiroki Kikuta | G Major | 4 | 9B | 137 BPM | ||
| Basking in Eternal Breeze | 栗田博文, 東京フィルハーモニー交響楽団 | D Minor | 6 | 7A | 76 BPM | ||
| Dungeon and Waterfall | Sean Schafianski | D Minor | 5 | 7A | 120 BPM | ||
| Labyrinth III - Frozen Grounds | Yuzo Koshiro | B♭ Minor | 2 | 3A | 103 BPM | ||
| Kingdom Outskirts - Calm | はがね | E Major | 9 | 12B | 90 BPM | ||
| The Salikawood | Hitoshi Sakimoto | A♭ Major | 5 | 4B | 120 BPM | ||
| 渡り鳥が集う水辺 | SIE Sound Team | G Major | 3 | 9B | 120 BPM | ||
| The Woodlands | Yasunori Nishiki | F♯ Major | 1 | 2B | 160 BPM | ||
| King's Arsenal - Calm | はがね | E Major | 9 | 12B | 90 BPM | ||
| 「Blue Fields - arrange -」 from FINAL FANTASY VIII | SQUARE ENIX MUSIC | F Major | 5 | 7B | 160 BPM | ||
| O'er Shifting Sands Lie - The Republic of Dhalmekia | 今村 貴文, 祖堅 正慶 | G Minor | 1 | 6A | 76 BPM | ||
| Rising Sun | 伊藤 賢治 | C Major | 2 | 8B | 78 BPM | ||
| 静寂の島 | 水上浩介 | B♭ Major | 1 | 6B | 84 BPM | ||
| Keep Moving Forward, 'Til the Sword Dies | テイルズ オブ シリーズ SOUND TEAM, Bandai Namco Game Music | A Minor | 9 | 8A | 186 BPM | ||
| Sector | Vanguard Sound, RabbitJ, 赛博传媒-2064 | G Minor | 3 | 6A | 77 BPM | ||
| Hope's Theme - Tomorrow's Dream - | Masashi Hamauzu | B Minor | 4 | 10A | 172 BPM | ||
| Curtain of Darkness | 土屋俊輔 | B♭ Major | 3 | 6B | 77 BPM | ||
| COMP SMITH | MONACA | F Minor | 9 | 4A | 160 BPM | ||
| PSYNCIN' IN THE MaiN 2 | Keisuke Ito | C Minor | 1 | 5A | 101 BPM | ||
| Kokugin No Koto Roer | Falcom Sound Team jdk | C Minor | 5 | 5A | 109 BPM | ||
| Mellow Curves | RIDGE RACER Series, Bandai Namco Game Music | C Major | 9 | 8B | 108 BPM | ||
| Thunder Plains | Masashi Hamauzu | E♭ Major | 4 | 5B | 124 BPM | ||
| Idylls of the Empire | 祖堅 正慶 | E Minor | 2 | 9A | 77 BPM |