On January 1, 2004, the song "Las Monjas Se Rieron" was released by Alvarez Guedes. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 8 out of 31 in Alvarez Guedes, Vol. 32 by Alvarez Guedes. Las Monjas Se Rieron is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Las Monjas Se Rieron by Alvarez Guedes is Lento (slowly), since this song has a tempo of 57 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Herencia | Nicolás Guillén | E Major | 1 | 12B | 80 BPM | ||
| Mis Roommates | Héctor García S. | B Minor | 4 | 10A | 78 BPM | ||
| Les Luthiers | Lucas Upstein | B♭ Minor | 5 | 3A | 111 BPM | ||
| Limpiar La Carita | Paloma Salas | G Major | 4 | 9B | 59 BPM | ||
| Capítulo 1.2 - El Principito | Antoine de Saint-Exupéry | A♭ Major | 4 | 4B | 109 BPM | ||
| Y dale con el vino | Gato Peters | D Major | 4 | 10B | 57 BPM | ||
| Revolución Francesa, PT. 2 | Carlos Ballarta | F Minor | 5 | 4A | 130 BPM | ||
| Mi Abuela <3 | Carlos Ballarta | F Minor | 5 | 4A | 130 BPM | ||
| La Culpa Fue de Dustin Hoffman | Hernán Casciari | C Minor | 2 | 5A | 120 BPM | ||
| Despedida | Manolo Rojas | G Major | 7 | 9B | 85 BPM | ||
| Discipulicidio | La Tremenda Corte | B♭ Major | 4 | 6B | 137 BPM | ||
| Cantericidio | Anibal de Mar, Leopoldo Fernández | A Major | 3 | 11B | 85 BPM | ||
| Coleccion de soldaditos | Tangalanga | E♭ Major | 3 | 5B | 152 BPM | ||
| Piernicidio | La Tremenda Corte | F Major | 4 | 7B | 115 BPM | ||
| El Celular | Ricardo Quevedo | D Major | 7 | 10B | 51 BPM | ||
| 6EP | La Chercha De Orlando | D♭ Major | 5 | 3B | 84 BPM | ||
| Los Vicios | Fuerza fugas | G Major | 3 | 9B | 88 BPM | ||
| El Narizón | Alvarez Guedes | F Major | 3 | 7B | 85 BPM | ||
| No Pasa Nada | Juan Barraza | D Major | 5 | 10B | 113 BPM | ||
| Jueputa | Ricardo Quevedo | B Minor | 9 | 10A | 60 BPM | ||
| Cuando hay un grillo en el show | Nicolás De Tracy | A Major | 4 | 11B | 93 BPM | ||
| Tiembla El Suelo Tigo Track by Track | Viento En Contra | G Major | 5 | 9B | 145 BPM | ||
| Frestyle 27 | El kemi | C Minor | 1 | 5A | 128 BPM | ||
| 8EP | La Chercha De Orlando | E Major | 5 | 12B | 91 BPM | ||
| Cuento de Suzuki | Luis Landriscina | A♭ Major | 4 | 4B | 111 BPM |