Terry Riley, Maya Beiser's 'In C 7' had a release date set for April 5, 2024. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Terry Riley, Maya Beiser's "Maya Beiser x Terry Riley: In C" album is number 7 out of 10. In C 7 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of In C 7 by Terry Riley, Maya Beiser to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 2/2 | Brian Eno, Robert Wyatt, Rhett Davies, Bang On A Can All-Stars | B♭ Major | 2 | 6B | 70 BPM | ||
| Holocaust In Memoriam, Symphony: I. Preludio, Pt. 1 (Live) | Maya Badian, Romanian National Radio Orchestra, Ludovic Bács | G Minor | 3 | 6A | 73 BPM | ||
| Sacrificial Code | Kali Malone | F♯ Minor | 0 | 11A | 68 BPM | ||
| Tears of Unicorn | Masayoshi Fujita | A♭ Minor | 1 | 1A | 78 BPM | ||
| Plan & Elevation: III. The Herbaceous Border | Caroline Shaw, Attacca Quartet | E Minor | 2 | 9A | 112 BPM | ||
| Part 1.0 | Jóhann Jóhannsson, Guðmundur Sigurðsson, Hörður Bragason, Skúli Sverrisson, Matthías M.D. Hemstock, Caput Ensemble, Guðni Franzson | C Major | 0 | 8B | 72 BPM | ||
| Schoenberg - 4 Pieces from 6 Kleine Klavierstucke, Op. 19: No. 1. Leicht zart | Hans Abrahamsen, Arnold Schoenberg, BIT20 Ensemble, Ilan Volkov | B♭ Minor | 0 | 3A | 90 BPM | ||
| PENSAMIENTOS | Maria Leonor Hernandez Duran | A Minor | 0 | 8A | 117 BPM | ||
| Fog Tropes | Ingram Marshall | B♭ Major | 1 | 6B | 84 BPM | ||
| Extended Circular Music No. 2 | Jürg Frey, Tamriko Kordzaia | A♭ Minor | 0 | 1A | 112 BPM | ||
| Model 1 | Karlheinz Stockhausen, Electric Phoenix | E♭ Major | 0 | 5B | 134 BPM | ||
| Travellers 4 / Churchyard Entertainment | Meredith Monk | A Minor | 2 | 8A | 141 BPM | ||
| Agarrame | JhosmelCruz | A♭ Major | 7 | 4B | 144 BPM | ||
| Protein Synthesis | Kessel | A Minor | 1 | 8A | 172 BPM | ||
| Funk Era Goated | PlannedX | C Major | 4 | 8B | 58 BPM | ||
| Piano Piece 1952 - Version 2 | Morton Feldman, Murcof, Vanessa Wagner | D♭ Major | 3 | 3B | 63 BPM | ||
| The Oldtimer | Terry Riley | E♭ Major | 1 | 5B | 112 BPM | ||
| Breathturn, Pt. 1 | John Zorn, Mika Stoltzman, Richard Stoltzman, Fred Sherry | B♭ Major | 0 | 6B | 199 BPM | ||
| Dream | John Cage, Alexei Lubimov | C Minor | 0 | 5A | 67 BPM | ||
| 1/2 | Brian Eno, Robert Wyatt, Rhett Davies, Bang On A Can All-Stars | F Minor | 2 | 4A | 78 BPM | ||
| Terry Riley’s In C, Pt. 2 | Terry Riley, IRON GIANT FREE ASSOCIATION | G Major | 8 | 9B | 150 BPM | ||
| No Rules | Astral | B♭ Minor | 4 | 3A | 196 BPM | ||
| Eurydice | Laurence Pike | A Minor | 0 | 8A | 148 BPM | ||
| Feeling Real Heavy | Brecht Ameel | E Major | 1 | 12B | 77 BPM | ||
| Vom Baum Im Hof | Brannten Schnüre | A Minor | 2 | 8A | 83 BPM |