Joseph Haydn, Quatuor Arod's ' "Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (d) Variation III" was released on its scheduled release date, November 14, 2025. With This song being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Joseph Haydn, Quatuor Arod's "Haydn: String Quartets, Op. 76" album is number 13 out of 28. On top of that, United Kingdom appears to be the country where this track was created. Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (d) Variation III is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (d) Variation III by Joseph Haydn, Quatuor Arod to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo - Allegro | Joseph Haydn, Anner Bylsma, Jeanne Lamon, Tafelmusik Baroque Orchestra | D♭ Minor | 2 | 12A | 101 BPM | ||
| Symphony No. 29 in E Major, Hob. I:29: I. Allegro ma non troppo | Joseph Haydn, Kammerorchester Basel, Giovanni Antonini | G Major | 2 | 9B | 96 BPM | ||
| Cutie Night | Xavier De la Croix | A♭ Major | 1 | 4B | 76 BPM | ||
| Sonata in F Major, R. 89 | Antonio Soler, Harrison Herman | F Major | 3 | 7B | 123 BPM | ||
| Piano Concerto in A Major, Wq. 7: II. Adagio | Carl Philipp Emanuel Bach, Michael Rische, Berliner Barock Solisten | F♯ Minor | 1 | 11A | 152 BPM | ||
| Sonata for Piano and Violin No. 3 in G Minor, Op. Posth. 137, D. 408: III. Menuetto allegro vivace - Trio | Franz Schubert, David Grimal, Valery Afanassiev | B♭ Major | 1 | 6B | 84 BPM | ||
| String Quartet No.2 in A Minor, Op. 51 No. 2: IV. Finale. Allegro non assai | Johannes Brahms, Tokyo String Quartet | F Minor | 1 | 4A | 83 BPM | ||
| Piano Sonata No. 6 in F Major, Op. 10 No. 2: II. Allegretto | Ludwig van Beethoven, Roberto Prosseda | F Minor | 1 | 4A | 83 BPM | ||
| Septet in E-Flat Major, Op. 20: V. Scherzo: Allegro molto e vivace | Ludwig van Beethoven, József Balogh, Jozsef Vajda, Jeno Kevehazi, Ildiko Hegyi, Gyözö Máthé, Péter Szabó, Istvan Toth | E♭ Major | 1 | 5B | 113 BPM | ||
| Piano Sonata No. 16 in C Major, K. 545: III. Rondeau: Allegretto | Irina Mejoueva | D Major | 1 | 10B | 143 BPM | ||
| Violin Sonata in E Minor: III. Gavotte | Francesco Maria Veracini, Takako Nishizaki, Terence Dennis | A Major | 1 | 11B | 101 BPM | ||
| Sonata for Keyboard and Violin in B-Flat Major, K. 15: II. Allegro grazioso | Wolfgang Amadeus Mozart, Alina Ibragimova, Cédric Tiberghien | B♭ Major | 2 | 6B | 79 BPM | ||
| Quartet Op.1 no.1 in D Major Adagio Cantabile (Eybler) | Joseph Leopold Eybler, Eybler Quartet | G Major | 0 | 9B | 127 BPM | ||
| Symphony in G Minor, Op. 6, No. 6, W. C12: III. Allegro molto | Johann Christian Bach, Concerto Köln | F♯ Minor | 2 | 11A | 96 BPM | ||
| Keyboard Sonata in F Major, Op. 1 No. 4: I. Spiritoso | Muzio Clementi, HyeJin Kim | E♭ Major | 1 | 5B | 71 BPM | ||
| The Well-Tempered Clavier, Book 1: Prelude No. 3 in C-Sharp Major, BWV 848/1 | Johann Sebastian Bach, Colin Tilney | B Minor | 3 | 10A | 102 BPM | ||
| Sonata in A Major K.429 - Duo-Art 68030 -1- | Alessandro Scarlatti, Alfred Kugel, Peter Phillips | F Minor | 1 | 4A | 83 BPM | ||
| Keyboard Concerto in D Minor, Wq. 23, H. 427: II. Poco andante | Carl Philipp Emanuel Bach, Michael Rische, Leipziger Kammerorchester, Morten Schuldt-Jensen | E♭ Major | 3 | 5B | 82 BPM | ||
| Handel: Concerto Grosso in D Major, Op. 6 No. 5, HWV 323: VI. Menuet (Un poco larghetto) | George Frideric Handel, Nikolaus Harnoncourt, Concentus Musicus Wien | F♯ Major | 3 | 2B | 120 BPM | ||
| Symphony No. 7 in G Major: III. Allegro | Luka Sorkočević, Salzburger Hofmusik, Wolfgang Brunner | F Minor | 1 | 4A | 83 BPM | ||
| Zimmermann: Concerto for Two Bassoons - III. Allegro in F Major: III. Allegro | Anton Zimmermann, Risonanza Praga, Ondřej Šindelář, Sergio Azzolini | F Minor | 1 | 4A | 83 BPM | ||
| String Quartet No. 3 in B Flat Major, D. 36: II. Andante | Franz Schubert, Melos Quartet | D Minor | 1 | 7A | 137 BPM | ||
| Sinfonia in A Major, WolS I. A-3: I. Allegro assai | Johann Stamitz, Südwestdeutsches Kammerorchester Pforzheim, Timo Handschuh | F Major | 1 | 7B | 205 BPM | ||
| Hamburg Symphony No. 6 in E Major, Wq. 182: I. Allegro di molto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
| Overture in B-Flat Major, Op. 8, No. 1: II. Andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 0 | 6B | 85 BPM |