Ravindra Jain's ' "Sakal Jatan Karke Bhayee Mandodri Hataash" was released on its scheduled release date, January 1, 2007. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ravindra Jain's "Lanka Kaand" album is number 11 out of 94. On top of that, India appears to be the country where this track was created. Sakal Jatan Karke Bhayee Mandodri Hataash is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Sakal Jatan Karke Bhayee Mandodri Hataash by Ravindra Jain to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mera Apaki Kripa Se | chronically online | F Major | 4 | 7B | 100 BPM | ||
| Idhar Bhi Ishwar Udhar Bhi - With Dialogue | Sushma Shrestha, Kamal Barot, Hemlata, Various Artists, Kalyanji-Anandji | A♭ Major | 6 | 4B | 83 BPM | ||
| De De Thoda Pyaar | Lakhbir Singh Lakkha | F Minor | 4 | 4A | 103 BPM | ||
| Dena Ho To Deejiye Janm Janm Ka Saath | Mukesh Bagda | D♭ Major | 8 | 3B | 76 BPM | ||
| Muze Tune Daata Bahut Kuch Diya Hai | Mahesh Hiremath, Shubhangi Joshi | G Minor | 6 | 6A | 118 BPM | ||
| Maa Sharde Kaha Tu Veena Baja Rahi Hai | Tara Devi | A Major | 8 | 11B | 169 BPM | ||
| Tumse Laagi Lagan | Anjali Jain, Namita Jain, Anubhav Kapil | E♭ Minor | 4 | 2A | 115 BPM | ||
| Chhum Chhum Baje Ghunghariya | NARAYANSWAMI | A♭ Major | 5 | 4B | 155 BPM | ||
| Kishori Tere Charnan Ki Raj Pau | Govind Krsna Das | F♯ Major | 6 | 2B | 128 BPM | ||
| Bhole Teri Kirpa Se | Debashish Dasgupta | G Major | 5 | 9B | 82 BPM | ||
| Ansoo | Dr. Kumar Vishwas | G Minor | 3 | 6A | 139 BPM | ||
| Ath Shri Mahabharat Katha | Shri Ram Chaube Vyas | D Minor | 8 | 7A | 92 BPM | ||
| Mangal Murti Ramdulare | Roop Kumar Rathod | G Major | 2 | 9B | 127 BPM | ||
| Ram Dhun | Shankar Mahadevan | F♯ Major | 4 | 2B | 95 BPM | ||
| Hai Jindagi Kitni Khubsurat | Kumar Satyam | E Major | 9 | 12B | 116 BPM | ||
| Jab Tak Pure Na Ho Phere Saat | Hemlata | G Minor | 6 | 6A | 116 BPM | ||
| Prem Ab Anant Ho Gaya | Prem Bhushan Maharaj | D Major | 5 | 10B | 131 BPM | ||
| Tum Besahara Ho - Sad | Manna Dey, Laxmikant–Pyarelal | D Major | 9 | 10B | 123 BPM | ||
| Koi Kahe Govind | Vandana Bhardwaj | F Major | 8 | 7B | 120 BPM | ||
| Kanha O Kanha | Navin Tripathi, Kavita Raam | E Major | 8 | 12B | 87 BPM | ||
| Jin Par Kirpa Ram Kare Vo Paththar Bhi Tir Jate Hain | Ravindra Jain | F♯ Minor | 6 | 11A | 155 BPM | ||
| Om Jay Jagdish Hare | Satish Dehra | F Minor | 6 | 4A | 92 BPM | ||
| Parbhu Hum Bhi Sharnagat Hai | Devendra Pathak | B♭ Minor | 7 | 3A | 82 BPM | ||
| Ayodhya Karti Hai Aahvaan | Ravindra Jain, Satish Dehra, Rachna, Deepmala | G Major | 6 | 9B | 144 BPM | ||
| Jai Jai Bajrang Bali | Mahendra Kapoor, Aziz Nazan Qawwal, Kalyanji-Anandji | F♯ Minor | 7 | 11A | 94 BPM |