On March 21, 2018, the song "TRANSPARENCY" was released by Issei Noro. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 20 in DIGGIN’ VICTOR Deep Into The Vaults Of Japanese Fusion mixed by MURO by MURO. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. In terms of popularity, TRANSPARENCY is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of TRANSPARENCY by Issei Noro is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| HARBOR FWY | JIMSAKU | F Major | 5 | 7B | 136 BPM | ||
| SHOCK LAND | NANIWA EXPRESS | D Major | 9 | 10B | 123 BPM | ||
| Brazilian Dawn | Shakatak | G Major | 8 | 9B | 138 BPM | ||
| Heart of New York | 黒住憲五 | F Minor | 4 | 4A | 82 BPM | ||
| Modern Museum | Masayuki Kishi | A♭ Major | 7 | 4B | 137 BPM | ||
| YOU'RE SORRY | Jun Fukamachi | C Major | 6 | 8B | 152 BPM | ||
| Miles Away | Yuji Toriyama | G Major | 6 | 9B | 124 BPM | ||
| EARLY EVENING LULLABY | Jun Fukamachi | B♭ Major | 4 | 6B | 134 BPM | ||
| TIGHT UP | Yasuhiro Abe | F♯ Minor | 6 | 11A | 125 BPM | ||
| 恋はサンパウロ | Yuji Ohno, ユー & ザ・エクスプロージョン・バンド | C Major | 9 | 8B | 125 BPM | ||
| Girl in me | EPO | F♯ Major | 7 | 2B | 117 BPM | ||
| Desiring You | Gábor Szabó | B Major | 7 | 1B | 110 BPM | ||
| SO LONG (BUT WE KEEP WALKING) | Akira Jimbo | A Major | 4 | 11B | 113 BPM | ||
| ふたりの会社1970-1975 | Naoya Matsuoka | F Major | 8 | 7B | 127 BPM | ||
| ウインド・ウェイブ・アンド・ワイングラス | Akira Inoue | G Major | 5 | 9B | 100 BPM | ||
| Owl Flight | KEEP | G Major | 9 | 9B | 178 BPM | ||
| Type I | Sadistics | A Major | 10 | 11B | 131 BPM | ||
| YELLOW ART | NANIWA EXPRESS | D♭ Major | 6 | 3B | 93 BPM | ||
| オールドハワイ・コナ | Naoya Matsuoka | D♭ Major | 8 | 3B | 97 BPM | ||
| ON THE SEASHORE | Sadistics | C Major | 7 | 8B | 89 BPM | ||
| THE LADY OF TOLEDO | NANIWA EXPRESS | A Minor | 9 | 8A | 126 BPM | ||
| Nights Over Tokyo | Shakatak | G Minor | 9 | 6A | 120 BPM | ||
| PANCAKE ICE パンケーキ・アイス | 菊池ひみこ | B♭ Major | 6 | 6B | 116 BPM | ||
| 素肌ゲーム -WE ARE IN THE DARK- | Hitomi Tohyama | F Major | 4 | 7B | 117 BPM | ||
| NAO | Sadistics | F Major | 9 | 7B | 165 BPM |