"How Can You Say We're Thru" by Tab Smith had its release date on January 1, 1991. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. How Can You Say We're Thru's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Tab Smith's "Jump Time" album is number 6 out of 20. How Can You Say We're Thru is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of How Can You Say We're Thru by Tab Smith to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Floogie Walk | Cab Calloway | G Minor | 4 | 6A | 114 BPM | ||
| Blue Jay | Glenn Crytzer | A♭ Major | 2 | 4B | 94 BPM | ||
| Mess Hall Matinee - 1944 Version | Raymond Scott | G Minor | 4 | 6A | 136 BPM | ||
| My Reward | Johnny Hodges & His Orchestra | C Major | 2 | 8B | 66 BPM | ||
| Avalon - Take 2 | Benny Goodman Quartet | C Minor | 4 | 5A | 121 BPM | ||
| Darktown Strutters Ball | Ella Fitzgerald and Her Savoy Eight | C Minor | 3 | 5A | 179 BPM | ||
| Baby, Won't You Please Come Home | The Jonah Jones Quartet | B♭ Minor | 4 | 3A | 104 BPM | ||
| Good Queen Bess | Johnny Hodges & His Orchestra | F Minor | 2 | 4A | 155 BPM | ||
| Wild Man Blues - Alternate Take | Johnny Dodds | B♭ Minor | 4 | 3A | 104 BPM | ||
| Do You Know What It Means to Miss New Orleans | Eyal Vilner Big Band | A Minor | 4 | 8A | 106 BPM | ||
| Sophisticated Jump (03-29-40) | Al Cooper | F♯ Minor | 3 | 11A | 156 BPM | ||
| You Mean So Much to Me | Lil Armstrong | B♭ Major | 6 | 6B | 116 BPM | ||
| Jack, You're Dead | Louis Jordan & His Tympany Five | A♭ Major | 4 | 4B | 92 BPM | ||
| Slow Motion | Tab Smith | F Major | 3 | 7B | 87 BPM | ||
| I'm Comming Virginia | Dave Harmer's New Orleans Hot Shots, David Harmer | E♭ Major | 2 | 5B | 117 BPM | ||
| Wednesday night hop | Andy Kirk & His 12 clouds of Joy, Andy Kirk | A♭ Major | 5 | 4B | 70 BPM | ||
| (What I Did to Be So) Black and Blue | Muggsy Spanier | B♭ Minor | 4 | 3A | 104 BPM | ||
| Just a Gigolo | The Jonah Jones Quartet | B♭ Minor | 4 | 3A | 104 BPM | ||
| On Chestnut Street | Charlie Barnet | B♭ Minor | 4 | 3A | 104 BPM | ||
| Because Of You | Tab Smith | C Minor | 2 | 5A | 74 BPM | ||
| Things Ain't What They Used To Be | Paul Gonsalves | B♭ Minor | 5 | 3A | 123 BPM | ||
| Jive At Six | Ben Webster | D Major | 4 | 10B | 171 BPM | ||
| Dee Jay Special | Tab Smith | B♭ Major | 3 | 6B | 185 BPM | ||
| Things Ain't Want They Used To Be | Charlie Barnet & His Orchestra | A♭ Major | 2 | 4B | 79 BPM | ||
| Praline | Tony Parenti | E♭ Major | 3 | 5B | 89 BPM |