On March 20, 1995, the song "Humra Naihar Ke Gaonvan" was released by Tara Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Tara Rani's "Manwa Ke Raja" album is number 5 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Humra Naihar Ke Gaonvan is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Humra Naihar Ke Gaonvan by Tara Rani to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mazha Bhimacha Navan Kunku Lavila | Sushma Devi | D♭ Major | 5 | 3B | 169 BPM | ||
| Ja Rahi Hai Mohabbat Ki Maiyat | Shahid Ali Khan | A♭ Major | 8 | 4B | 155 BPM | ||
| Raja Aaja Aab Aaja | Arvind Singh Abhiyanta, Kamalwas Kuwar Vyas | F♯ Major | 8 | 2B | 156 BPM | ||
| Hun Rab Akhvaunda | Labh Heera | D♭ Major | 7 | 3B | 87 BPM | ||
| Jeth Chhada Nitt Laindai Pange | Balkar Ankhila, Manjinder Gulshan | B♭ Major | 8 | 6B | 99 BPM | ||
| Tu Mati Ka Gudda Me Sone Ki | Bhagat Raja, Pooja Masum | F♯ Minor | 7 | 11A | 91 BPM | ||
| Jab Sath Deve Ke Na Rahe | Anupma Yadav | E♭ Minor | 5 | 2A | 149 BPM | ||
| Chalo Aaj Khwaja Ka | Mohammed Aziz | F♯ Major | 9 | 2B | 174 BPM | ||
| Teri Gaddi Me Na Jana Hai | Kartar Ramla, Paramjit Sandhu | B♭ Major | 5 | 6B | 119 BPM | ||
| Arey Logo Tumhara Kya | Abida Parveen | F Minor | 8 | 4A | 110 BPM | ||
| Mori Akal Gai Mari | Jaysingh raja, Doli Rajpoot | F♯ Major | 6 | 2B | 82 BPM | ||
| Dudhacha Math Futla Kasa | Suryakant Shide | E Major | 8 | 12B | 62 BPM | ||
| Maro Helo Suno Ji Ramapeer | Prakash Mali | A♭ Major | 8 | 4B | 110 BPM | ||
| Duniya Mein Nahin Koi Yaar - Jhankar Beats | Hero And King Of Jhankar Studio, Lata Mangeshkar, Mohammed Rafi | F Major | 3 | 7B | 114 BPM | ||
| Tere Peechhe Kyon Roolde | Raj Brar | E♭ Minor | 7 | 2A | 117 BPM | ||
| Sodun De Daruchi Vait Chal | Vijay Sartape | A♭ Major | 8 | 4B | 173 BPM | ||
| Mangal Ki Sewa (Aarti Kaali Mata Ki) | Lakhbir Singh Lakkha | B♭ Minor | 6 | 3A | 100 BPM | ||
| Dhokhebaaz Rajau | Karina Pandey | F Minor | 9 | 4A | 100 BPM | ||
| Kaike Gavanwa Bhawanwa Ke Tyageli | Tara Rani | A♭ Major | 5 | 4B | 160 BPM | ||
| Chaar Din Ke Jinagi | Gopal Rai | A♭ Major | 6 | 4B | 77 BPM | ||
| Saiya Ho Kaahe Khatir | Tara Rani | G Major | 8 | 9B | 110 BPM | ||
| RADHA DHUNDH RAHI | Nidhi Dholkiya | F Minor | 7 | 4A | 174 BPM | ||
| Khul Gaye Taale | Ram Kumar Lakha | B♭ Major | 8 | 6B | 95 BPM | ||
| Tareyan Di Loye Loye | Amar Singh Chamkila, Amarjot | F♯ Minor | 10 | 11A | 102 BPM | ||
| Raat Ke | Raja Rano | F♯ Major | 9 | 2B | 154 BPM |