The Reason's ' "Papercuts & Exit Wounds" was released on its scheduled release date, 2004. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Ravenna". In this album, this song's track order is #4. In terms of popularity, Papercuts & Exit Wounds is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Papercuts & Exit Wounds by The Reason having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mr. Someone Else | The Dudes | B Major | 8 | 1B | 118 BPM | ||
| Back To The Rebels | The Exit | C Minor | 8 | 5A | 78 BPM | ||
| I'm A Window | Matthew Good | F Minor | 8 | 4A | 125 BPM | ||
| Apologies | Dropping Daylight | D Major | 8 | 10B | 121 BPM | ||
| More Than Local Boys | The Matches | C Major | 9 | 8B | 140 BPM | ||
| Suck It Up Princess | Ten Second Epic | D♭ Minor | 9 | 12A | 176 BPM | ||
| MaryJane | The Reason, Bavgate, Dubie | D♭ Major | 7 | 3B | 109 BPM | ||
| Keep Your Distance | Home Grown | E♭ Major | 10 | 5B | 154 BPM | ||
| I Loved The Way She Said L.A. | Spitalfield | C Major | 9 | 8B | 179 BPM | ||
| Can't Look Down | ZOX | B Minor | 9 | 10A | 170 BPM | ||
| Put Out Your Lights | Matthew Good | E♭ Major | 10 | 5B | 127 BPM | ||
| If Tragedy's Appealing, Then Disaster's an Addiction | Moneen | A Major | 7 | 11B | 136 BPM | ||
| Coalmine | Armchair Cynics | G Major | 8 | 9B | 192 BPM | ||
| Always Something | I Hate Kate | C Major | 10 | 8B | 110 BPM | ||
| Don't Push | The Exit | B♭ Minor | 8 | 3A | 140 BPM | ||
| Don't Forget To Set Your House On Fire Before You Crawl Into Bed | The Junior Varsity | E Major | 9 | 12B | 178 BPM | ||
| The Ending of Us All | The Reason | C Major | 6 | 8B | 96 BPM | ||
| I'm Through With The Past (But The Past Isn't Through With Me) | Straylight Run | A♭ Major | 9 | 4B | 190 BPM | ||
| Get Out | The Color Fred | D♭ Major | 9 | 3B | 76 BPM | ||
| Analog Boy | Rx Bandits | B Minor | 5 | 10A | 177 BPM | ||
| Attention | Adelphi | D♭ Minor | 9 | 12A | 105 BPM | ||
| Lions For Scottie | Hey Rosetta! | G Major | 10 | 9B | 195 BPM | ||
| Wait Up (Boots of Danger) | Tokyo Police Club | F Major | 9 | 7B | 101 BPM | ||
| My Heart Is a Solider | The Juliana Theory | A Minor | 10 | 8A | 142 BPM | ||
| Postpartum Modesty. | Evaline | A♭ Minor | 8 | 1A | 115 BPM |