Bert Kaempfert's 'Red Roses For A Blue Lady' had a release date set for April 1, 1964. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Red Roses For A Blue Lady's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 12 in Blue Midnight (Remastered) by Bert Kaempfert. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Red Roses For A Blue Lady is currently average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Red Roses For A Blue Lady by Bert Kaempfert is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bye Bye Blues | Bert Kaempfert | E Major | 3 | 12B | 124 BPM | ||
| Smoke Gets In Your Eyes | Max Greger | B♭ Major | 3 | 6B | 116 BPM | ||
| Fascination | Hugo Strasser, Heinrich Haas Bar Combo | G Minor | 5 | 6A | 119 BPM | ||
| Siboney / Desesperadamente | Orquestra Românticos de Cuba | C Minor | 6 | 5A | 121 BPM | ||
| Tammy | Roger Williams | C Major | 0 | 8B | 68 BPM | ||
| Serenata a la Luz de la Luna | Ronald Valentino | E Minor | 3 | 9A | 85 BPM | ||
| I'll Be Seeing You | Ronnie Aldrich, The Strings of the London Festival Orchestra | C Major | 2 | 8B | 110 BPM | ||
| Frenesí | Gustavo Pimentel | F Major | 5 | 7B | 84 BPM | ||
| I Just Called To Say I Love You | Caravelli | D♭ Major | 5 | 3B | 113 BPM | ||
| Harlem Español | Manuel Rodríguez y Orquesta | E Major | 4 | 12B | 113 BPM | ||
| Beer Barrel Polka | André Popp | F Major | 5 | 7B | 126 BPM | ||
| Summertime In Venice | Gary Freeman | B♭ Major | 5 | 6B | 172 BPM | ||
| Cheerful Little Earful - Instrumental | Hugo Winterhalter And His Orchestra | A♭ Major | 4 | 4B | 138 BPM | ||
| Yellow Bird | Arthur Lyman | D Major | 0 | 10B | 119 BPM | ||
| Raindrops Keep Fallin' On My Head - Original Musicor Recordings | Hugo Winterhalter | F Major | 4 | 7B | 101 BPM | ||
| Canta | Johnny Pearson Y Su Orquesta | F Major | 4 | 7B | 141 BPM | ||
| Calcuta - Remastered | Al Caiola & His Guitar | G Major | 6 | 9B | 169 BPM | ||
| ONCE IN A WHILE | Hugo Strasser und die Heinrich Haas jr. Combo | E♭ Major | 3 | 5B | 123 BPM | ||
| Maria Elena | 50 Guitars of Tommy Garrett | C Major | 3 | 8B | 80 BPM | ||
| The Last Waltz | Geoff Love | D Major | 1 | 10B | 90 BPM | ||
| Only You | Glen Lucas | B Major | 4 | 1B | 90 BPM | ||
| Young At Heart | The British Ballroom Players | B♭ Major | 4 | 6B | 79 BPM | ||
| A Felicidade | Edmundo Ros & His Orchestra | C Minor | 3 | 5A | 123 BPM | ||
| Put Your Head On My Shoulder | The Gino Marinello Orchestra | E♭ Major | 3 | 5B | 96 BPM | ||
| My Prayer | Kai Warner | C Major | 3 | 8B | 99 BPM |