London Festival Orchestra Alfred Scholz's ' "Carmen, Opera Suite No. 2: II. Habanera (Act 1)" was released on its scheduled release date, January 1, 2009. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Carmen, Opera Suite No. 2: II. Habanera (Act 1)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 12 in Bizet: Carmen, Opera Suite by London Festival Orchestra Alfred Scholz. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Carmen, Opera Suite No. 2: II. Habanera (Act 1)'s popularity is average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Carmen, Opera Suite No. 2: II. Habanera (Act 1) by London Festival Orchestra Alfred Scholz is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 24 Caprices for Violin, Op. 1, MS. 25: No. 24 in A Minor | Niccolò Paganini, Salvatore Accardo | A Minor | 1 | 8A | 167 BPM | ||
| 10 Preludes, Op. 23: No. 5 in G Minor. Alla marcia | Sergei Rachmaninoff, Peter Katin | G Minor | 3 | 6A | 105 BPM | ||
| The Typewriter | Leroy Anderson, Eastman-Rochester Pops Orchestra, Frederick Fennell | G Major | 4 | 9B | 148 BPM | ||
| The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): III. Presto | Karoly Botvay | G Major | 3 | 9B | 137 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in G Minor. Allegro (Orch. Schmeling) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 145 BPM | ||
| Entry of the Gladiators (Arr. for Brass Ensemble) | Julius Fučík, The Philip Jones Brass Ensemble, Elgar Howarth | A♭ Major | 4 | 4B | 113 BPM | ||
| Violin Concerto in E Major, RV 269 ("Spring" from "The Four Seasons"): I. Allegro | Antonio Vivaldi, Stuttgart Chamber Orchestra, Martin Sieghart, Rainer Kussmaul | G Major | 1 | 9B | 81 BPM | ||
| Voces de primavera, Op. 410 | Orquesta De Conciertos Vienesa, Alfred Scholz | C Minor | 3 | 5A | 175 BPM | ||
| Vals de las Flores (De la Suite "El Cascanueces") | Gran Orquesta Vienesa | D Major | 2 | 10B | 92 BPM | ||
| Last Time I Saw Him | Ronnie Aldrich and his 2 pianos, London Festival Orchestra | C Major | 5 | 8B | 174 BPM | ||
| La Traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | B♭ Major | 2 | 6B | 113 BPM | ||
| Nutcracker - Waltz of the Flowers | Pyotr Ilyich Tchaikovsky, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 1 | 10B | 100 BPM | ||
| Carmen Suite No. 1: Toreador March | Georges Bizet, London Festival Orchestra, Alfred Scholz | A Major | 2 | 11B | 128 BPM | ||
| Nocturne No. 2 in E Flat, Op. 9 | Frédéric Chopin, Peter Schmalfuss | B♭ Major | 0 | 6B | 101 BPM | ||
| Liebestraum No. 3 in A flat, S.541 No. 3 | Franz Liszt, Claudio Arrau | A♭ Major | 1 | 4B | 124 BPM | ||
| Annen Polka, Op. 117 | Orchestra of the Viennese Volksoper & Alfred Scholz | D Major | 1 | 10B | 79 BPM | ||
| Carmen, Opera Suite No. 1: II. Les Dragons d'Alcala, Act 2 | London Festival Orchestra, Alfred Scholz | G Major | 0 | 9B | 120 BPM | ||
| Lakmé / Act 1: Viens, Mallika, ... Dôme épais | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Monte-Carlo Philharmonic Orchestra, Richard Bonynge | B Major | 1 | 1B | 84 BPM | ||
| Carmen Suite No. 2: IV. Chanson du toreador | Georges Bizet, Slovak Philharmonic, Anthony Bramall | F Major | 2 | 7B | 114 BPM | ||
| Ungarischer Tanz in G Minor, WoO, No. 5 | Slovak State Philharmonic Orchestra, Christian Ehwald | G Minor | 1 | 6A | 151 BPM | ||
| Ride of the Valkyries | Richard Wagner, CSR Symphony Orchestra, Bratislava, Uwe Mund | G Major | 2 | 9B | 90 BPM | ||
| The Four Seasons, Violin Concerto No. 2 in G Minor, RV 315 "L'estate": III. Tempo impetuoso d'estate | Antonio Vivaldi, Europa Galante, Fabio Biondi | F♯ Major | 6 | 2B | 85 BPM | ||
| Masquerade Suite: I. Waltz | Aram Khachaturian, Kirill Kondrashin, RCA Victor Symphony Orchestra, Oscar Shumsky | C Major | 3 | 8B | 181 BPM | ||
| Emperor Waltz | Johann Sebastian Strauss, London Festival Orchestra | C Major | 2 | 8B | 67 BPM | ||
| Oh Babe, What Would You Say | Eileen Smith, Ronnie Aldrich and his 2 pianos, The London Festival Chorus, London Festival Orchestra | C Major | 4 | 8B | 99 BPM |