Mohammed Rafi, Laxmikant–Pyarelal's ' "Chhalka Yeh Jaam" was released on its scheduled release date, January 1, 1968. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Laxmikant–Pyarelal's "Mere Hamdam Mere Dost" album is number 4 out of 7. On top of that, India appears to be the country where this track was created. Based on our statistics, Chhalka Yeh Jaam's popularity is average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Chhalka Yeh Jaam by Mohammed Rafi, Laxmikant–Pyarelal to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Teri Tasveer Ko | K. J. Yesudas | B Major | 4 | 1B | 125 BPM | ||
| Chanchal Sheetal Nirmal Komal | Mukesh, Zeenat Aman, Laxmikant–Pyarelal | A Major | 3 | 11B | 140 BPM | ||
| Ka Karoon Sajni Guitar | Sunil Ganguly | G Minor | 4 | 6A | 114 BPM | ||
| Tu Raat Khadi Thi Chhat Pe | Usha Timothy, Mohammed Rafi, Kalyanji-Anandji | E Major | 9 | 12B | 94 BPM | ||
| Ae Kash Ke Hum | Jatin-Lalit, Kumar Sanu | C Major | 7 | 8B | 161 BPM | ||
| O Gaadiwale | Shamshad Begum, Mohammed Rafi | D Major | 2 | 10B | 108 BPM | ||
| Tumne Kisi Se Kabhi Pyar Kiya Hai - Jhankar Beats | Hero And King Of Jhankar Studio, Mukesh, Kanchan | F♯ Minor | 8 | 11A | 115 BPM | ||
| Ek Pyar Ka Naghma Hai | Jagjit Singh | B♭ Major | 3 | 6B | 179 BPM | ||
| Kya Hua Tera Vada | Sushma Shrestha, Mohammed Rafi, R. D. Burman | F Major | 6 | 7B | 99 BPM | ||
| Hum Tere Shahar Me Aaye Hai | Ghulam Ali | B♭ Minor | 6 | 3A | 109 BPM | ||
| Dil Jab Se Toot Gaya (From "Salaami") | Pankaj Udhas | G Minor | 6 | 6A | 99 BPM | ||
| Tujhe Dekha Tujhe Chaha | Suman Kalyanpur, Mohammed Rafi, Hasrat Jaipuri | D Major | 5 | 10B | 142 BPM | ||
| Jaye To Jaye Kahan, From ''Taxi Driver'' | Talat Mahmood | G Minor | 1 | 6A | 140 BPM | ||
| Ankhon Men Masti Sharab Ki | Talat Mahmood, Salil Chowdhury | G Major | 3 | 9B | 173 BPM | ||
| Main Tera Ashiq Hoon | Roop Kumar Rathod, Laxmikant–Pyarelal | B Major | 8 | 1B | 123 BPM | ||
| Chamkte Chand Ko | Ghulam Ali | F Minor | 5 | 4A | 144 BPM | ||
| Tum Ko Dekha To Yeh Khayal Aaya | Jagjit Singh, Chitra Singh | D Major | 3 | 10B | 91 BPM | ||
| Ankhon Mein Qayamat Ke Kajal | Mahendra Kapoor | F Minor | 5 | 4A | 102 BPM | ||
| Tuhi Woh Hasin | Mohd. Rafi | A♭ Major | 5 | 4B | 118 BPM | ||
| Na Tum Hamen Jano - Hemant Kumar | Hemant Kumar | C Minor | 2 | 5A | 113 BPM | ||
| Lal Chhadi Maidan Khadi | Mohammed Rafi | F Minor | 7 | 4A | 149 BPM | ||
| Aane Se Uske Aaye Bahar | Mohammed Rafi, Laxmikant–Pyarelal | F♯ Minor | 4 | 11A | 95 BPM | ||
| Mehboob Mere Mehboob Mere | Lata Mangeshkar, Mukesh, Laxmikant–Pyarelal | A♭ Major | 6 | 4B | 86 BPM | ||
| Madhuban Khushboo Deta Hai - Duet | K. J. Yesudas, Anuradha Paudwal | D♭ Major | 4 | 3B | 126 BPM | ||
| Tum Bin Jeevan Kaise Beeta | Mukesh, Laxmikant–Pyarelal | C Major | 4 | 8B | 88 BPM |