Mike Moran's ' "Chicago" was released on its scheduled release date, January 1, 2008. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Spaces". In this album, this song's track order is #5. Based on our statistics, Chicago's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Chicago by Mike Moran having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ironhead | Standard Music Library, Mike Moran, Don Paul | G Major | 7 | 9B | 79 BPM | ||
| The Godfather's Waltz (From "The Godfather") | Carmine Coppola | F♯ Major | 3 | 2B | 67 BPM | ||
| 「八甲田山」 終焉 | 芥川也寸志, Taizo Takemoto, Japan Philharmonic Orchestra | B♭ Major | 2 | 6B | 134 BPM | ||
| Kay's Theme (From "The Godfather Part II") | Carmine Coppola | E Major | 1 | 12B | 87 BPM | ||
| Munching on the Bones | John Fiddy, Alan Parker, Les Hurdle, Ray Russell, Mike Moran, Peter Van Hooke, Mark Stevens, Steve Allen, Ray Warleigh | D Major | 8 | 10B | 137 BPM | ||
| Theme Of Exodus | Ernest Gold | B Minor | 4 | 10A | 83 BPM | ||
| Vintage | Yennaria | A Major | 4 | 11B | 140 BPM | ||
| Nobody Does It Better - Live | Carly Simon | B♭ Major | 5 | 6B | 141 BPM | ||
| On Days Like These - From "The Italian Job" Soundtrack | Quincy Jones, Peter King | A Minor | 3 | 8A | 106 BPM | ||
| The Contender | Jimmy MacCarthy, Matthew Gilsenan/The Celtic Tenors/Mike Moran/Patrick Kernan/Gavyn Wright/Orchestra, Mike Moran, Orchestra | B♭ Major | 3 | 6B | 82 BPM | ||
| Whicker's World | Graham De Wilde | D Minor | 4 | 7A | 126 BPM | ||
| It's Impossible | Elvis Presley | F Minor | 4 | 4A | 84 BPM | ||
| I Lost It | Jerry Goldsmith | D Major | 7 | 10B | 153 BPM | ||
| L’ouverture-éclair - 50ᵉ anniversaire | André Gagnon | C Minor | 8 | 5A | 91 BPM | ||
| Girl with the Beautiful Hair | Mike Moran | C Major | 2 | 8B | 115 BPM | ||
| Theme of Exodus (from "Exodus", 1960 Film Score) | Ernest Gold, Twentieth Century-Fox Studio Orchestra | B Minor | 2 | 10A | 116 BPM | ||
| Once Upon a Time in the West (Live) - Main Theme | Metamorphose String Orchestra, Pavel Lyubomudrov | D Major | 1 | 10B | 166 BPM | ||
| How Deep Is The Ocean | Ronnie Aldrich, The Strings of the London Festival Orchestra | G Minor | 3 | 6A | 108 BPM | ||
| Don't Take It Away From Me | The Love Unlimited Orchestra | F Major | 6 | 7B | 96 BPM | ||
| The Adventures of Robinson Crusoe Main Theme | Robert Mellin, Gian Piero Reverberi | C Major | 5 | 8B | 99 BPM | ||
| Kay And Mike's Love Theme - From The "Jaws 3D" Soundtrack | Alan Parker | F Major | 1 | 7B | 72 BPM | ||
| Live And Let Die - From 'Live And Let Die' | Royal Philharmonic Orchestra | F Minor | 1 | 4A | 140 BPM | ||
| Underwater Courtship | Basil Poledouris | G Major | 4 | 9B | 172 BPM | ||
| C'Eravamo Tanto Amati: Strano Interludio | Armando Trovajoli | B Minor | 1 | 10A | 176 BPM | ||
| Broccati Veneziani | Stelvio Cipriani | D Minor | 3 | 7A | 105 BPM |