藤原義江's ' "愚かしの涙(オペレッタ・微笑みの国より)" was released on its scheduled release date, October 14, 2009. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. 愚かしの涙(オペレッタ・微笑みの国より)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ノイズレスSPアーカイヴズ 乾杯の歌/藤原義江〈洋楽編〉, so we believe that "愚かしの涙(オペレッタ・微笑みの国より)" is a single. 愚かしの涙(オペレッタ・微笑みの国より) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of 愚かしの涙(オペレッタ・微笑みの国より) by 藤原義江 is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Deux romances, L. 78: No. 1, L'âme évaporée | Dilyana Georgieva, Galina Apostolova | D Major | 3 | 10B | 124 BPM | ||
| Nina | Giovanni Battista Pergolesi, Visti Hald, Ulrich Staerk | F Major | 4 | 7B | 140 BPM | ||
| ナポリは恋人 | Gigliola Cinquetti | A♭ Major | 4 | 4B | 132 BPM | ||
| Siempre Que Te Ahogue una Pena / Tantos Desprecios Me Das - Remastered | Jesús Gracia, Rondalla Santamaría, Florencio Santamaría | E Major | 4 | 12B | 87 BPM | ||
| Paralages | Manos Hadjidakis | D Major | 1 | 10B | 87 BPM | ||
| Amado Mio | Paul Potts | F Minor | 4 | 4A | 67 BPM | ||
| ヒットメドレー:知りたくないの~今日でお別れ~忘れな草をあなたに | Youichi Sugawara | A♭ Minor | 6 | 1A | 78 BPM | ||
| Trois mélodies, Op. 23: No. 1, Les berceaux | Dilyana Georgieva, Galina Apostolova | B♭ Major | 1 | 6B | 176 BPM | ||
| La Verbena de la Paloma, Act I: Couplets de Don Hilarión (Hilarón) | Tomás Bretón, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | B♭ Major | 1 | 6B | 119 BPM | ||
| Não Me Falaram de Cristo | Feliciano Amaral | D♭ Major | 0 | 3B | 103 BPM | ||
| Violin Concerto In D Major, Op. 61 | Berliner Philharmoniker, Yehudi Menuhin & Festival Orchestra Lucerne | B♭ Major | 2 | 6B | 95 BPM | ||
| トライ・トゥ・リメンバー | Fubuki Koshiji | D♭ Major | 1 | 3B | 105 BPM | ||
| Carmen (Act I, Sequedille) | Agnes Baltsa | D Major | 2 | 10B | 112 BPM | ||
| A-A-Waga-Senyu (あゝ我が戦友) | Koichi Sugii | F Minor | 3 | 4A | 121 BPM | ||
| Conoció a España Sin Verla / Fui Malo Pero Soy Bueno (feat. Rondalla) | José Oto, Rondalla | C Major | 2 | 8B | 88 BPM | ||
| C'est un oiseau qui passe | Rina Ketty | A♭ Major | 2 | 4B | 129 BPM | ||
| Coward: Bitter Sweet, Act 2: "When We're Thoroughly Wined and Dined" (Captain Lutte, Officers) | Noel Coward, Johnny Douglas, John McCarthy Singers, Neville Jason, Johnny Douglas Orchestra | B♭ Major | 4 | 6B | 142 BPM | ||
| Luisa Fernanda: Mazurca de las Sombrillas | Federico Moreno Torroba, Rafael Frühbeck de Burgos | C Major | 5 | 8B | 123 BPM | ||
| 心のバンドネオン | 藤原義江 | E Minor | 1 | 9A | 115 BPM | ||
| The Flower Girl (La Violetera) | Charlie Chaplin | E♭ Major | 3 | 5B | 133 BPM | ||
| 姿三四郎 | 村田英雄 | B♭ Major | 3 | 6B | 78 BPM | ||
| 恋心 | 岸洋子 | C Major | 3 | 8B | 88 BPM | ||
| Rústica: Danza de España - Remastered | Orquesta Ibérica De Madrid, Germán Lago | A Minor | 1 | 8A | 137 BPM | ||
| Бессарабянка | Pyotr Leshchenko | D Major | 3 | 10B | 91 BPM | ||
| 船唄(藤原義江君のために) | 藤原義江 | F Minor | 1 | 4A | 75 BPM |