"Battements Tendus Jetés - 2/4 - 8x8" by Pascal Sévajols had its release date on November 30, 2015. With This song being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "Pascal Sévajols Plays Ballet Class - Intermediate". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Based on our statistics, Battements Tendus Jetés - 2/4 - 8x8's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Battements Tendus Jetés - 2/4 - 8x8 by Pascal Sévajols having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Was Once a Very Abandoned Person | Olive the Otter Dog | D Major | 1 | 10B | 109 BPM | ||
| Adveniat XVI in F sharp Minor -Nocturne- | Stephan Beneking, Elizabeth Erin | F♯ Minor | 1 | 11A | 74 BPM | ||
| Stretching, Relevé in C-Major, Operette "Das Land des Lächelns", Akt 1, Aria Sou Chong | Franz Lehár, Konstantin Mortensen | C Major | 0 | 8B | 130 BPM | ||
| Wiegenlied No. 4 Lullaby in E Flat Major, Op. 49 - Strings Version | Classical Music for Cats | B Minor | 2 | 10A | 77 BPM | ||
| Prelude No. 3 in G Minor | Matthew Thomas Soong, Anna Sutyagina | E♭ Major | 1 | 5B | 92 BPM | ||
| Plie 6/8 64 Counts | Marina Stolyar | F Major | 0 | 7B | 109 BPM | ||
| Plie Roudnev, Vol. 1 | Marina Stolyar, Dmitri Roudnev | C Minor | 2 | 5A | 80 BPM | ||
| Sonatina in G, Anh. 5 No. 1: II. Romanze moderato | Ben Quine | C Major | 1 | 8B | 168 BPM | ||
| Plie 1 3x4 | Jorge L. Martínez | B♭ Minor | 2 | 3A | 202 BPM | ||
| Ronds de jambe a terre | De Rosa Giuseppe | B♭ Major | 0 | 6B | 107 BPM | ||
| Battement Tendu (Slow) Ⅰ | E. Nazareth, 최지원 | F♯ Minor | 2 | 11A | 138 BPM | ||
| Adagio No. 2, Ave Maria | Josu Gallastegui | C Major | 1 | 8B | 61 BPM | ||
| Warming-up | 이현정, Hyeon Jung Lee | C Major | 2 | 8B | 115 BPM | ||
| Serenade for String Orchestra in C Major, Op. 48, TH 48 (Arr. for Piano by Peter Breiner): IV. Finale [Tema russo]. Andante - Allegro con spirito | Pyotr Ilyich Tchaikovsky, Peter Breiner | D Major | 0 | 10B | 104 BPM | ||
| Romanza (Tendu, Demi Plie) | Josu M Gallastegui, Josu Gallastegui | B♭ Minor | 0 | 3A | 127 BPM | ||
| Small pirouette 3/4 | Pascal Sévajols | A Minor | 1 | 8A | 83 BPM | ||
| D' Habite Nours Merons | Maurice Dehors | A Minor | 2 | 8A | 100 BPM | ||
| Introduction and Polonaise brillante | Frédéric Chopin, Julie Sévilla-Fraysse, Anastasia Calmus | C Minor | 2 | 5A | 91 BPM | ||
| Adagio 3/4 (Op. 17 n°4 Mazurka in A min) | The Ballet Pianist | F♯ Major | 0 | 2B | 91 BPM | ||
| Adage / Stretching - 3/4 - 16x8+2x8 | Pascal Sévajols | C Minor | 2 | 5A | 91 BPM | ||
| Grand Adagio - 4/4 - 8x8 | Pascal Sévajols | A Minor | 1 | 8A | 141 BPM | ||
| Tango des fratellini, Op. 58c | Darius Milhaud, Dario Müller | B♭ Major | 1 | 6B | 82 BPM | ||
| Plié 2 (4/4) | Marina Surgan | A♭ Major | 3 | 4B | 67 BPM | ||
| Révérence - 4/4 - 8x8 | Pascal Sévajols | C Minor | 2 | 5A | 91 BPM | ||
| Gavota | Manuel Ponce, Pierpaola Porqueddu | D♭ Major | 1 | 3B | 71 BPM |