Gopal Yonjan's ' "Pirati" was released on its scheduled release date, December 20, 1995. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 8 in the song's album "Nisani-52". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Norway. Based on our statistics, Pirati's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Pirati by Gopal Yonjan having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Uhi Mulako Chana | Jyoti Magar, Ram Chandra Kafle | F Major | 8 | 7B | 93 BPM | ||
| Banma Phulyo Fullai Ful | Anju Panta | C Major | 7 | 8B | 146 BPM | ||
| Sapana Bhai Aankhama | Sadhana Sargam | E♭ Major | 5 | 5B | 122 BPM | ||
| Bhanchhan Kohi Jindagani | Shila Bahadur Moktan, Kunti Moktan | D♭ Major | 5 | 3B | 77 BPM | ||
| Aakashaiko Kalo Badal | Tulasi Prasad Parajuli, Loreto Singh | D Major | 5 | 10B | 79 BPM | ||
| Ke Chha Ra Diu | Deepak Jangam, Gulam Ali | F Minor | 4 | 4A | 124 BPM | ||
| Kasto Yo Man | Sunil Giri | A♭ Major | 6 | 4B | 112 BPM | ||
| Maya Ta Maya-Timro Maan Ma | Narayan Gopal, Asha Bhosle | F♯ Major | 7 | 2B | 138 BPM | ||
| Darjeeling Ko | Ram Chandra Kafle | B Major | 6 | 1B | 150 BPM | ||
| Chari Udyo Badal Chhunalai | Sad Rose Band | D Major | 4 | 10B | 154 BPM | ||
| Nai Nabhannu La Male(From "Nai Nabhannu la 4") | Rajesh Payal Rai | D♭ Major | 7 | 3B | 78 BPM | ||
| Manparaune Hajar | Ram Krishna Dhakal | C Minor | 5 | 5A | 139 BPM | ||
| Wari Khola Pari Khola | Uday Sotang, Manila Sotang | B Major | 5 | 1B | 136 BPM | ||
| Jhari Pareko Din | Babin Pradhan | C Major | 6 | 8B | 80 BPM | ||
| Mero Kalpanama | Deepak Limbu | E♭ Major | 8 | 5B | 127 BPM | ||
| Raat Bityo | Nabin K Bhattarai | F Major | 7 | 7B | 116 BPM | ||
| Pagal Ma Banna Sakchhu Male | Swaroop Raj Acharya | D Major | 7 | 10B | 140 BPM | ||
| Risaundani Aaphnai | Ram Krishna Dhakal | A♭ Minor | 8 | 1A | 123 BPM | ||
| Gaunchha Geet Nepali | Ananda Karki, Kunti Moktan, Mamata Dipbim, Tara Thapa, Taradevi, Janardan Sama, Raju Lama-mongolian Heart | B Major | 7 | 1B | 154 BPM | ||
| Jati Maya Laye Pani | Arun Thapa | A Major | 4 | 11B | 79 BPM | ||
| Bishwasko Diyo | Kandara Band | A Major | 5 | 11B | 116 BPM | ||
| Bidesh Jane Mayalu - Reprise | Deepak Thapa | G Major | 6 | 9B | 140 BPM | ||
| Timro Man Badaliye cha | Yash Kumar, Sapana Shree | B♭ Major | 4 | 6B | 147 BPM | ||
| Jeevan Dekhi Dherai Dherai | Gopal Yonjan, Narayan Gopal | D♭ Major | 5 | 3B | 61 BPM | ||
| Ye Kanchha | Shambhu Rai, Satya Kala Rai | F Major | 6 | 7B | 75 BPM |