"Taming" by Carter Burwell had its release date on January 1, 2009. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Where The Wild Things Are Motion Picture Score: Music By Carter Burwell by Carter Burwell. The song's track number on the album is #6 out of 12 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Taming is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Taming by Carter Burwell has a tempo of 90 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Taming being at 90 BPM, the half-time would be 45 BPM with a double-time of 180 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Story Is Told | Roque Baños | A♭ Major | 0 | 4B | 92 BPM | ||
| The Day After Tomorrow | Harald Kloser | C Major | 2 | 8B | 110 BPM | ||
| Daniel and Ruth | Mark Isham | G Major | 1 | 9B | 120 BPM | ||
| The Yellow House | Clint Mansell | D Minor | 2 | 7A | 100 BPM | ||
| Training With Mr. Schaibel | Carlos Rafael Rivera | C Major | 0 | 8B | 69 BPM | ||
| The Blue Dress | Anne Dudley, The Chamber Orchestra Of London | E♭ Major | 2 | 5B | 124 BPM | ||
| Faraway Downs | FELIX MEAGHER, Baz Luhrmann, Angela Little | G Major | 3 | 9B | 90 BPM | ||
| So Much Is Possible | Geoff Zanelli | E Major | 2 | 12B | 99 BPM | ||
| I met Doris blind [The Man who wasn't there - Original Motion Picture Soundtrack] | Carter Burwell, Various Artists | D♭ Minor | 2 | 12A | 85 BPM | ||
| The Last Judgement | Carter Burwell | A Minor | 0 | 8A | 97 BPM | ||
| Guinevere | Rob Lane | G Major | 0 | 9B | 70 BPM | ||
| I Have No One Else to Ask | Nico Muhly | G Minor | 1 | 6A | 79 BPM | ||
| Mirrors | Martin Phipps | E♭ Minor | 2 | 2A | 68 BPM | ||
| The Beach | Nick Cave & Warren Ellis | E♭ Major | 1 | 5B | 53 BPM | ||
| Professor Alexander Hartdegen | Klaus Badelt | A Minor | 2 | 8A | 137 BPM | ||
| Post Pie | Daniel Hart | F Major | 1 | 7B | 68 BPM | ||
| Where the Land Meets the Sea | Anne Dudley, The Chamber Orchestra Of London | D Major | 2 | 10B | 131 BPM | ||
| Three Trails | Javier Navarrete | D Major | 2 | 10B | 70 BPM | ||
| The Waterhole & Enter the Queen | Alex Heffes | D Minor | 2 | 7A | 89 BPM | ||
| Andrei | Martin Phipps, BBC National Orchestra Of Wales | C Major | 1 | 8B | 77 BPM | ||
| Vergissmeinnicht | Max Richter | D Minor | 1 | 7A | 79 BPM | ||
| The Moribund Tree & The Toad | Javier Navarrete | C Minor | 2 | 5A | 88 BPM | ||
| Clary's Theme | Atli Örvarsson | D Minor | 1 | 7A | 95 BPM | ||
| Harry and Ginny | Alexandre Desplat | D Minor | 0 | 7A | 67 BPM | ||
| The First Bath | Nico Muhly | G Major | 0 | 9B | 73 BPM |