Pramita's ' "Aarti Laxmi Maata" was released on its scheduled release date, April 1, 2010. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Aarti Laxmi Maata's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 92 in Bhakti Sagar by Vikram. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Aarti Laxmi Maata is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Aarti Laxmi Maata by Pramita is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bhola Shankar Bhola | Rishi Nityapragyan | F♯ Major | 7 | 2B | 97 BPM | ||
| Aarti Dev Samrathal Ki | Sant Rajuram Ji | F Major | 5 | 7B | 142 BPM | ||
| Man Ho Ja Diwana Re | Gyanendra Sharma | A♭ Major | 7 | 4B | 131 BPM | ||
| Jyot Se Jyot Jagao Sadguru Aarti | Sant Shri Asharamji Bapu | F Minor | 4 | 4A | 138 BPM | ||
| Baithas Has Tariya Ke Par O | Dukalu Yadav | A Major | 5 | 11B | 91 BPM | ||
| Phool Ke Swad | Satish | D♭ Minor | 6 | 12A | 120 BPM | ||
| Shiv Bar Kaise Mohage | Dukalu Yadav | D Major | 9 | 10B | 175 BPM | ||
| Batuk Bhairav Stuti | Pyarelal Chouhan | C Major | 10 | 8B | 120 BPM | ||
| Vishnu Ji Ka Bhajan | Avinash Karn | B♭ Minor | 9 | 3A | 170 BPM | ||
| Bad Sukh Saar | Rajni Pallavi | E♭ Major | 5 | 5B | 100 BPM | ||
| Dulha Bana Hai Baba Ujjain Ki Nagri Me | Shree Darshan, Nitin Bagwan | D♭ Minor | 4 | 12A | 80 BPM | ||
| Munisubrat Ki Aarti | Rajendra Jain | G Major | 7 | 9B | 78 BPM | ||
| O Murakh Bande Kya Hai | Parmod Kumar | A♭ Major | 7 | 4B | 77 BPM | ||
| 108 Names Durgashtottara Shatanama Stotram Durga Shaptshati दुर्गा अष्टोत्तर शतनाम | Ashish P Mishra | D Major | 7 | 10B | 106 BPM | ||
| Chal Chandrapur Jabo | Dukalu Yadav | A♭ Minor | 9 | 1A | 80 BPM | ||
| Jai Gange Mata | Anjali Jain | F♯ Major | 8 | 2B | 93 BPM | ||
| Vishnu Satchidananda Venu Gopala Bala | Sri Sathya Sai Bhajans | A Minor | 8 | 8A | 97 BPM | ||
| Amritvani 5 | Rajesh Bisen, Pramita | D♭ Major | 4 | 3B | 174 BPM | ||
| Namo Sidhkchetram | Rajendra Jain | G Major | 6 | 9B | 81 BPM | ||
| Sui Ja Re Sui Ja O Maara Bal | Dipali Somaiya | E Minor | 4 | 9A | 102 BPM | ||
| Japakarojapa Karo Shri Ram | Dhiraj Sharma | A♭ Major | 5 | 4B | 136 BPM | ||
| jaya jaya sav shankar | shradey shri mridul krishna shashtri ji maharaj | F♯ Major | 6 | 2B | 82 BPM | ||
| Amritvani 3 | Rajesh Bisen, Pramita | D♭ Major | 4 | 3B | 174 BPM | ||
| Shri Govardhan Maharaj Tere Mathe Mukut Biraji Rahyo | Pushtivrund | A♭ Major | 6 | 4B | 124 BPM | ||
| Doli Leke Aaiyle Sajanwa | Bharat Sharma | F Minor | 8 | 4A | 149 BPM |