Rodney Rude's 'Novelty Act: Can Sing Through His Arse' had a release date set for January 1, 1985. For a fairly short song, this song is "Novelty Act: Can Sing Through His Arse" is considered an explicit song with a duration of 1:26. The track order of this song in Rodney Rude's "I Got More" album is number 3 out of 19. On top of that, Australia appears to be the country where this track was created. In terms of popularity, Novelty Act: Can Sing Through His Arse is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Novelty Act: Can Sing Through His Arse by Rodney Rude to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sperm | Rodney Rude | D Major | 9 | 10B | 177 BPM | ||
| The Dog Song | James McKay | G Major | 6 | 9B | 87 BPM | ||
| Too Many Times | Mental As Anything | F♯ Minor | 9 | 11A | 160 BPM | ||
| Slanguage | Matt Scullion | C Major | 5 | 8B | 172 BPM | ||
| The Lean Song | Tim Vine | G Major | 9 | 9B | 110 BPM | ||
| Jack off Australia | Chris Franklin | D Major | 7 | 10B | 133 BPM | ||
| Bottler in Class | Brendan Grace | B Minor | 7 | 10A | 72 BPM | ||
| White Girls With Cornrows | Tom Segura | D♭ Major | 7 | 3B | 83 BPM | ||
| Greg! The Stop Sign!! | TISM | C Major | 9 | 8B | 130 BPM | ||
| On the Prowl | Ol' 55 | A Major | 7 | 11B | 168 BPM | ||
| Tory MP's | Jo Brand | B Minor | 2 | 10A | 125 BPM | ||
| Eating | James Gregory | E Minor | 8 | 9A | 75 BPM | ||
| Unscreened Phone Calls | The Rick Burgess Show | D Major | 5 | 10B | 86 BPM | ||
| I Don't Trust Ambition... | Tommy Tiernan | F♯ Major | 7 | 2B | 88 BPM | ||
| Places I've Been | Dallas Steele | D Major | 5 | 10B | 149 BPM | ||
| You're an Asshole Tonight | Bird & Macdonald | D Major | 1 | 10B | 130 BPM | ||
| Douchebag | Denis Leary | G Major | 3 | 9B | 173 BPM | ||
| Stack the Fridge | Kevin Bloody Wilson | E Major | 5 | 12B | 120 BPM | ||
| Tuna of Opportunity | Bob and Tom, Heywood Banks | A Major | 3 | 11B | 136 BPM | ||
| Skank | Scuzz Twittly | A Major | 5 | 11B | 100 BPM | ||
| Gotta Give The Grog Away | Col Elliott | C Major | 8 | 8B | 113 BPM | ||
| Pussy Whipped | Larry Pierce | E♭ Major | 7 | 5B | 164 BPM | ||
| Itty Bitty Titties | Ken Carlysle | D Major | 7 | 10B | 106 BPM | ||
| I'll Just Get Stoned This Afternoon | Chad Morgan | D Major | 6 | 10B | 106 BPM | ||
| Dolly Parton's Tits | MacLean & MacLean | E♭ Major | 9 | 5B | 118 BPM |