On November 25, 2011, the song "Taking Chances" was released by Skip Peck. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Taking Chances's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 13 in Cool Jazz 1 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Taking Chances is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Taking Chances by Skip Peck is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mist on 5th Avenue | Motel Noir | F Minor | 3 | 4A | 184 BPM | ||
| 朝のカフェ音楽 | チルアウトジャズ喫茶店 | G Major | 5 | 9B | 121 BPM | ||
| Slack Off Lounge | Soft Jazz Lounge Club | F Minor | 3 | 4A | 100 BPM | ||
| ラウンジミュージックカフェ | ジャズピアノ House One | B♭ Major | 4 | 6B | 115 BPM | ||
| My Bad, Baby | Skip Peck | D♭ Major | 3 | 3B | 99 BPM | ||
| Pastel Rotation | JazzInk | D♭ Minor | 6 | 12A | 124 BPM | ||
| Yellow Neon | The Smoke Club | B♭ Minor | 4 | 3A | 130 BPM | ||
| Moonlight Hung from Telephone Wires | The Freebees | C Major | 3 | 8B | 83 BPM | ||
| Erasing the Past | Skip Peck | D♭ Major | 3 | 3B | 75 BPM | ||
| The Room Settles In | The Jazzlight Trio | B♭ Minor | 2 | 3A | 69 BPM | ||
| Kindle Moss | Smooth Evening Jazz | F Major | 4 | 7B | 120 BPM | ||
| Verse on Third | Pending Chords | C Major | 1 | 8B | 110 BPM | ||
| Quinta luna | Ravexon | B♭ Minor | 2 | 3A | 69 BPM | ||
| Satin Swing | Jazz Sax | A Minor | 4 | 8A | 150 BPM | ||
| Interstellar Gloom | The Half Light Ensemble | A♭ Minor | 5 | 1A | 118 BPM | ||
| Birds at the Console | BirdKeys | D Major | 4 | 10B | 120 BPM | ||
| Jasmine Motel | Toneflower | A Minor | 5 | 8A | 184 BPM | ||
| Shared Umbrella | Sky Bar Session | C Major | 3 | 8B | 113 BPM | ||
| Blue Window Reflections | Mileson Trio | B♭ Minor | 2 | 3A | 69 BPM | ||
| Put Your Memories | Soft Jazz Lounge Club | C Major | 1 | 8B | 88 BPM | ||
| The Room Upstairs | Motel Noir | D Minor | 3 | 7A | 102 BPM | ||
| Último acorde | Orbitone | B♭ Minor | 2 | 3A | 69 BPM | ||
| Afterglow Affairs | Midnight Riviera Club | C Minor | 3 | 5A | 100 BPM | ||
| Someone Nice Like You | William E. Peklinsky, Skip Peck | B♭ Major | 2 | 6B | 96 BPM | ||
| Preludium, Pt. IV | Fort Bella | G Major | 2 | 9B | 125 BPM |