On November 15, 1988, the song "Knees Up Mother Smith" was released by Sam Fonteyn. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Sam Fonteyn's "Keyboard Anthology" album is number 11 out of 43. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Knees Up Mother Smith's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Knees Up Mother Smith by Sam Fonteyn to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Westminster Waltz | Russ Conway | D Major | 6 | 10B | 94 BPM | ||
| Has Anybody Here Seen Kelly | Charlie Kunz | G Major | 0 | 9B | 131 BPM | ||
| Alone at Last | Syd Dale | F♯ Major | 5 | 2B | 120 BPM | ||
| Derby Day | Werner Tautz | B♭ Major | 5 | 6B | 155 BPM | ||
| Starlight | Angela Morley, Robert Farnon, The Danish State Radio Orchestra | C Major | 3 | 8B | 115 BPM | ||
| Coconut Shy | Heinz Kiessling | G Major | 3 | 9B | 107 BPM | ||
| Bargains Galore | Dennis Berry, Stuart Crombie | G Major | 6 | 9B | 146 BPM | ||
| Mambo Fantastico | Benito Gonzales | F♯ Minor | 6 | 11A | 142 BPM | ||
| Pepito from Tampico | Fernando Mendoza | F Major | 5 | 7B | 125 BPM | ||
| Pop Looks Bach | Sam Fonteyn, Keith Wilkinson, Oberaargauer Brass Band & Manfred Obrecht, Manfred Obrecht | B♭ Major | 5 | 6B | 100 BPM | ||
| Linked Romantic Moments | Sam Fonteyn | A Major | 3 | 11B | 79 BPM | ||
| Moonbeam Kiss | Joe Brook | G Major | 4 | 9B | 119 BPM | ||
| Squatty Roo - Remastered | John Buzon Trio | D Major | 5 | 10B | 133 BPM | ||
| Workaday World | Jack Beaver | A♭ Major | 6 | 4B | 156 BPM | ||
| Once Upon a Dream | Clive Richardson | G Major | 2 | 9B | 85 BPM | ||
| A Quiet Stroll | Charles Williams and his Concert Orchestra | G Major | 2 | 9B | 96 BPM | ||
| Sweet and Lovely | Alan Braden | A Major | 4 | 11B | 92 BPM | ||
| Journey Into Melody | Sam Fonteyn | G Major | 4 | 9B | 140 BPM | ||
| The Bachelor Life (1 - 4) | Laurie Johnson | E♭ Major | 7 | 5B | 183 BPM | ||
| He'd Have to Get Under - Get Out and Get Under | Maurice Abrahams, Anthony Godwin, Palm Court Theatre Orchestra | E♭ Major | 5 | 5B | 136 BPM | ||
| Miss Your Kiss | Orchestra Charlie Steinmann | C Major | 3 | 8B | 112 BPM | ||
| Lubricator | Frank McDonald, Chris Rae, De Wolfe Music | A Major | 7 | 11B | 154 BPM | ||
| Spring Clean | Douglas Brownsmith | E♭ Major | 4 | 5B | 142 BPM | ||
| Put on a Happy Face | Victor Silvester and his Silver Strings | B♭ Major | 3 | 6B | 100 BPM | ||
| Moonglow And Love Theme | George Dunning, Morris Stoloff | B♭ Major | 2 | 6B | 99 BPM |