"Macbeth: Act III: Fuggi, regal fantasima… (Macbeth, Chorus)" by Giuseppe Verdi, Giuseppe Altomare, Olha Zhuravel, Pavel Kudinov, Rubens Pelizzari, Marco Voleri, Luca Dall'Amico, William Corro, Andrea Pistolesi, Coro Lirico Marchigiano 'V. Bellini', Marchigiana Philharmonic Orchestra, Daniele Callegari had its release date on September 29, 2009. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi, G.: Macbeth (Sferisterio Opera Festival, 2007) by Giuseppe Verdi, Daniele Callegari. The song's track number on the album is #4 out of 33 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Macbeth: Act III: Fuggi, regal fantasima… (Macbeth, Chorus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Macbeth: Act III: Fuggi, regal fantasima… (Macbeth, Chorus) by Giuseppe Verdi, Giuseppe Altomare, Olha Zhuravel, Pavel Kudinov, Rubens Pelizzari, Marco Voleri, Luca Dall'Amico, William Corro, Andrea Pistolesi, Coro Lirico Marchigiano 'V. Bellini', Marchigiana Philharmonic Orchestra, Daniele Callegari has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Macbeth: Act III: Fuggi, regal fantasima… (Macbeth, Chorus) being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
| Il trovatore: Anvil Chorus 'Vedi le fosche notturne' | Giuseppe Verdi, Marian Vach, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | E♭ Major | 2 | 5B | 170 BPM | ||
| Gianni Schicchi: O mio babbino caro | Giacomo Puccini, Maria Callas, RAI Symphony Orchestra, Rome, Tullio Serafin | A♭ Major | 1 | 4B | 136 BPM | ||
| Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, José Carreras, Fernando Corena, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 78 BPM | ||
| Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | F♯ Minor | 4 | 11A | 86 BPM | ||
| Marechiare | Francesco Paolo Tosti, Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | C Major | 2 | 8B | 132 BPM | ||
| Mattinata | José Carreras | E Major | 3 | 12B | 152 BPM | ||
| Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
| Lakmé / Flower Duet: Dôme épais le jasmin ... Sous le dôme épais | Léo Delibes, Nadine Sierra, Pretty Yende, Les Frivolités Parisiennes, Giacomo Sagripanti | F Major | 1 | 7B | 82 BPM | ||
| La Gioconda, Act IV: Suicido! … | Amilcare Ponchielli, Maria Callas, RAI Symphony Orchestra, Turin, Antonino Votto | D Major | 1 | 10B | 86 BPM | ||
| Tosca / Act I: Mario! Mario! Mario! | Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 104 BPM | ||
| Les Contes d'Hoffmann / Act 1: "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach) | Jacques Offenbach, Plácido Domingo, Robin Leggate, Choeurs de Radio France, Orchestre National De France, Seiji Ozawa | A Minor | 2 | 8A | 94 BPM | ||
| Requiem: I. Introit – Kyrie | Giuseppe Verdi, Renée Fleming, Olga Borodina, Andrea Bocelli, Ildebrando D'Arcangelo, Mariinsky Chorus, Mariinsky Orchestra, Valery Gergiev | A Major | 1 | 11B | 86 BPM | ||
| Don Giovanni, K. 527: Don Giovanni, a cenar teco | Wolfgang Amadeus Mozart, John Macurdy, Ruggero Raimondi, José van Dam, Lorin Maazel | G Minor | 2 | 6A | 60 BPM | ||
| Die Walküre, Act III: Ride of the Valkyries | Richard Wagner, Budapest Symphony Orchestra, György Lehel | D♭ Major | 1 | 3B | 72 BPM | ||
| Valse brindisi - Remasterizado | Luis Cobos, Amilcare Ponchielli, Charles François Gound, Charles Gounod, Giuseppe Verdi, Plácido Domingo, Royal Philharmonic Orchestra | D Major | 2 | 10B | 100 BPM | ||
| Don Carlo*: Act V: Aria: Tu, che le vanita (Elisabeth) | Giuseppe Verdi, Lars Cleveman, Klas Hedlund, Hilde Leidland, Hillevi Martinpelto, Peter Mattei, Bengt Rundgren, Iwa Sorenson, Martti Wallèn, Jaakko Ryhänen, Ingrid Tobiasson, Royal Swedish Opera Chorus, Royal Swedish Opera Orchestra, Alberto Hold-Garrido | A Major | 2 | 11B | 115 BPM | ||
| Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt | Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek | F Major | 4 | 7B | 89 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
| Ah, si, ben mio coll'essere | Giuseppe Verdi, Plácido Domingo, Ryland Davies, Zubin Mehta, New Philharmonia Orchestra | E Minor | 1 | 9A | 105 BPM | ||
| Der Rosenkavalier, Op.59, TrV 227 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 4 | 3B | 173 BPM | ||
| La Wally (1997 Digital Remaster): Ebben?...Ne andrò lontana | Maria Callas, Tullio Serafin, Philharmonia Orchestra | C Major | 2 | 8B | 71 BPM | ||
| La traviata / Act I: "Ebben? che diavol fate?" | Giuseppe Verdi, Ileana Cotrubas, Walter Gullino, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | E♭ Major | 1 | 5B | 125 BPM | ||
| Tosca: Act III: O dolci mani mansuete e pure (Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | ||
| La forza del destino: Overture (Sinfonia) | Giuseppe Verdi, Philharmonia Orchestra, Giuseppe Sinopoli | E Minor | 1 | 9A | 64 BPM |