"Nocturne" by Max Harris had its release date on April 23, 2012. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Nocturne's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Piano Themes". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United States. The popularity of Nocturne is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nocturne by Max Harris having a BPM of 179 with a half-time of 90 BPM and a double-time of 358 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphonic Suite based on Rimsky-Korsakov’s Scheherazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Aleksandar Sedlar, Nemanja Radulović, Double Sens, Stéphanie Fontanarosa | G Major | 5 | 9B | 95 BPM | ||
| Weeping Willows | Charlie Chaplin, Philippe Quint | D Minor | 1 | 7A | 91 BPM | ||
| Suite in D Minor, HWV 437: III. Sarabande. Grave - Arranged by Charl du Plessis | George Frideric Handel, Charl du Plessis Trio | F Major | 2 | 7B | 82 BPM | ||
| Introduction from Swan Lake, Op. 20 | Pyotr Ilyich Tchaikovsky, Eugen Cicero | G Major | 4 | 9B | 80 BPM | ||
| The Girl from Corsica | Trevor Duncan, Slovak Radio Symphony Orchestra, Andrew Penny | G Minor | 1 | 6A | 68 BPM | ||
| Midnight Melody | New RiSEN | A♭ Major | 5 | 4B | 171 BPM | ||
| Tread Warily | Max Harris | F Minor | 7 | 4A | 152 BPM | ||
| Hungarian Dances, WoO 1: No. 2 in D Minor, Allegro non assai | Johannes Brahms, Ludmila Peterková, Irina Kondratenko | D Minor | 1 | 7A | 142 BPM | ||
| Green Fire | Miles Wayne | F Minor | 2 | 4A | 107 BPM | ||
| Italian Concerto BWV 971 - Allegro | Jacques Loussier Trio | F Major | 1 | 7B | 77 BPM | ||
| On The Edge | Max Harris | A♭ Major | 2 | 4B | 207 BPM | ||
| Take The "A" Train | Billy Strayhorn | C Major | 1 | 8B | 91 BPM | ||
| Claudia's Delight | Philip Catherine, Paulo Morello, Sven Faller | D Major | 3 | 10B | 113 BPM | ||
| Kleine Dreigroschenmusik: VI. Tango-Ballade | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | D♭ Minor | 6 | 12A | 122 BPM | ||
| I Gotta a Right to Sing the Blues (From "Earl Carroll's Vanities of 1932") | Max Harris | C Minor | 2 | 5A | 179 BPM | ||
| A Shanty in Old Shanty Town | Allan Vaché, Antti Sarpila, Ken Peplowski, Mark Shane, Len Skeat, Joe Ascione | C Major | 4 | 8B | 116 BPM | ||
| Georgia On My Mind | Hoagy Carmichael | C Minor | 1 | 5A | 76 BPM | ||
| Dizzy Fingers (Arr. for Voice, Piano, Guitar, Bass, Drums, Clarinet and Violin by R. Mounsey) | Zez Confrey, Zachary Wilder, Rob Mounsey, Matt Beck, David Finck, Mark McLean, Lawrence Feldman, Antoine Silverman | G Major | 6 | 9B | 128 BPM | ||
| Hot Toddy | Ted Heath | G Major | 3 | 9B | 130 BPM | ||
| While We Danced at the Mardi Gras | Sounds Orchestral | B♭ Major | 3 | 6B | 100 BPM | ||
| Up Tight | Max Harris | C Minor | 4 | 5A | 137 BPM | ||
| Mountain Greenery (From "Small Time Crooks") | Lester Lanin | D Minor | 3 | 7A | 207 BPM | ||
| At the Woodchoppers Ball | Joe Loss & His Orchestra | F Minor | 3 | 4A | 178 BPM | ||
| A Nightingale Sang in Berkeley Square | Stéphane Grappelli | C Minor | 1 | 5A | 62 BPM | ||
| New Jazz-Suite: VI. Gigue - Partita No. 1, BWV 825 - Arranged by Charl du Plessis | Johann Sebastian Bach, Charl du Plessis Trio | B♭ Major | 3 | 6B | 112 BPM |