"ミッドウェー海戦" by Naoki Sato had its release date on December 18, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 「永遠の0」 オリジナル・サウンドトラック, so we believe that "ミッドウェー海戦" is a single. The popularity of ミッドウェー海戦 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ミッドウェー海戦 by Naoki Sato is Vivace (lively and fast), since this song has a tempo of 163 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 想いと共に | Taro Iwashiro | G Major | 4 | 9B | 156 BPM | ||
| 我字儿呢? | 袁思翰 | E♭ Major | 1 | 5B | 86 BPM | ||
| The Future | Richard Blair-Oliphant | G Major | 6 | 9B | 168 BPM | ||
| MOBILE SUIT GUNDAM THE ORIGIN Main Theme | Takayuki Hattori | B♭ Major | 7 | 6B | 96 BPM | ||
| 海へ | Naoki Sato | A♭ Major | 5 | 4B | 110 BPM | ||
| 江~姫たちの戦国~(メインテーマ) | Ryo Yoshimata | D Minor | 3 | 7A | 156 BPM | ||
| 震天動地 | Evan Call | F Major | 3 | 7B | 76 BPM | ||
| ふたりの距離 | Kenichiro Suehiro | A Minor | 8 | 8A | 85 BPM | ||
| 神意 | Shiro SAGISU | D♭ Minor | 1 | 12A | 120 BPM | ||
| SPIRIT | Toshihiko Sahashi | C Major | 2 | 8B | 90 BPM | ||
| カランコロンのうた -鬼太郎誕生- | 川井憲次 | A Minor | 1 | 8A | 67 BPM | ||
| Aterrorizando Por Doquier | Bulruk | A Minor | 5 | 8A | 100 BPM | ||
| 航行するミレニアム | Toshihiko Sahashi | C Major | 4 | 8B | 103 BPM | ||
| Echo of Goodbye | Alexander Roskov | A♭ Minor | 3 | 1A | 127 BPM | ||
| Life or Death | 斎木達彦 | D Major | 7 | 10B | 138 BPM | ||
| 弔いの鐘 | 久保早瑠菜 | D Major | 1 | 10B | 83 BPM | ||
| All In | 健康合作社 | G Minor | 4 | 6A | 85 BPM | ||
| Battle: Warring States | Akihiro Manabe | B♭ Major | 2 | 6B | 79 BPM | ||
| 突然の黒い瞬間 | 髙見 優/長岡 成貢 | G Major | 7 | 9B | 90 BPM | ||
| 科捜研のテーマ 〜最終決戦〜 | Kenji Kawai | A Minor | 7 | 8A | 147 BPM | ||
| Stronger | Mark Braids, Mark Buho | F♯ Major | 0 | 2B | 74 BPM | ||
| Returnings | Fate/Grand Order | C Major | 1 | 8B | 76 BPM | ||
| 20200723zr | Sawano Hiroyuki | F Major | 3 | 7B | 131 BPM | ||
| 別れ | Takayuki Hattori | E Minor | 2 | 9A | 86 BPM | ||
| [THE SORCERY OF NYMPH CIRCE] SUITE-No.6: MHA | Sawano Hiroyuki | B♭ Major | 2 | 6B | 79 BPM |