"String Quartet in B-Minor: II. Langsam und innig" by Kurt Weill, Quatuor Manfred had its release date on June 29, 2018. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 17 in Bye-bye Berlin by Marion Rampal, Quatuor Manfred, Raphaël Imbert. In terms of popularity, String Quartet in B-Minor: II. Langsam und innig is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Quartet in B-Minor: II. Langsam und innig by Kurt Weill, Quatuor Manfred is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Weinen, Klagen, Sorgen, Zagen | Paul Lay, Joël Suhubiette, Chœur de chambre Les Eléments, Donald Kontomanou, Clemens Van Der Feen | C Major | 0 | 8B | 143 BPM | ||
| Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | C Major | 0 | 8B | 143 BPM | ||
| King Arthur, Z. 628: Cold song - Arr. for Voice & Piano | Henry Purcell, Théophile Alexandre, Guillaume Vincent | D♭ Major | 1 | 3B | 88 BPM | ||
| Reich mir zum Abschied noch einmal die Hände (Good Night) | Richard Tauber | B♭ Major | 2 | 6B | 129 BPM | ||
| Trois Mélodies: Élegie | Erik Satie, Barbara Hannigan, Reinbert de Leeuw | B Major | 0 | 1B | 88 BPM | ||
| Quintet for Bassoon, Violin, 2 Violas and Violoncello in B-Flat Major, Op. 14: III. Andante | Johann Evangelist Brandl, Calamus Ensemble | B♭ Major | 1 | 6B | 136 BPM | ||
| The Golden Age, Op. 22: Act III, Blues | Bolshoi Theatre Orchestra | D Major | 0 | 10B | 105 BPM | ||
| Die Dreigroschenoper: Tango Ballad | Kurt Weill, Ute Lemper, Neil Hannon, The Divine Comedy, Bryan Mills, Ivor Talbot, Joby Talbot, Stuart 'Pinkie' Bates, Rob Farrer, Miggy Barradas | D Major | 6 | 10B | 140 BPM | ||
| O sole mio - Arr. For Horn and Orchestra by Wolfgang Renz | Eduardo di Capua, Felix Klieser, I Solisti di Pavia | E♭ Major | 1 | 5B | 130 BPM | ||
| Schwanengesang, D.957: Der Atlas | Franz Schubert, Dietrich Fischer-Dieskau, Alfred Brendel | E Major | 0 | 12B | 108 BPM | ||
| Petite messe solennelle: Gloria in excelsis Deo | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Michael Spyres, Alexander Vinogradov, Delphine Galou | F Major | 1 | 7B | 106 BPM | ||
| Meine Lippen, sie küssen so heiß (Giuditta) | Franz Lehár, Fatma Said, Sascha Goetzel, Orchestre Philharmonique de Monte-Carlo | C Major | 1 | 8B | 116 BPM | ||
| Purcell / Arr. Pluhar: Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 5, Ritornello. "Strike the Viol" | Henry Purcell, Christina Pluhar, L'Arpeggiata, Raquel Andueza | G Minor | 3 | 6A | 126 BPM | ||
| L’heure Exquise | Reynaldo Hahn, Encarnación Vázquez, Jorge Federico Osorio | D Major | 0 | 10B | 150 BPM | ||
| Magnificat: I. Magnificat anima mea Dominum | MartÍn Palmeri, Aleksandra Turalska, Chór Astrolabium, Elżbieta Biskupska, Mario Stefano Pietrodarchi, Capella Bydgostiensis, Kinga Litowska | G Major | 1 | 9B | 112 BPM | ||
| Happy End: Surabaya Johnny (Arr. for Voice, Double Bass, Piano & Accordion by Katie Bray, Murray Grainger, Marianne Schofield & William Vann) | Kurt Weill, Katie Bray, William Vann, Murray Grainger, Marianne Schofield | C Major | 0 | 8B | 143 BPM | ||
| Dvořák: Moravian Duets, Op. 32, Pt. 2, B. 62: No. 6, Die Taube auf dem Ahorn | Antonín Dvořák, Elisabeth Schwarzkopf, Irmgard Seefried, Gerald Moore | D Major | 1 | 10B | 91 BPM | ||
| Myrthen, Op. 25: No. 1, Widmung | Felicity Lott, Graham Johnson | A♭ Major | 1 | 4B | 113 BPM | ||
| Podrugi (Girl Friends), Op. 41a [reconstructed by M. Fitz-Gerald]: Zamuchen tiazheloi nevolei [Tormented by a Lack of Freedom] [reconstructed by M. Fitz-Gerald] | Dmitri Shostakovich, Agnieszka Bochenek-Osiecka, Aleksandra Poniszowska, Elzbieta Starczynowska, Sabina Myrczek, Adam Myrczek, Camerata Silesia, Celia Sheen, Polish National Radio Symphony Orchestra, Mark Fitz-Gerald | A♭ Major | 0 | 4B | 169 BPM | ||
| Youkali | Kurt Weill, Fatma Said, Quinteto Ángel, Tim Allhoff, Heinrich Köbberling | C Major | 1 | 8B | 116 BPM | ||
| Faure: Claire de Lune | Gérard Souzay | B♭ Minor | 1 | 3A | 71 BPM | ||
| Sea Pictures, Op. 37: No. 2, In Haven (Capri) | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | C Major | 1 | 8B | 86 BPM | ||
| Wenn ich ein Vöglein wär, Op. 43, No. 1 | Robert Schumann, Barbara Bonney, Angelika Kirchschlager | E Minor | 1 | 9A | 73 BPM | ||
| Prince Igor, Act II: Polovtsian Dances, Dance IV | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | G Major | 3 | 9B | 105 BPM | ||
| Prince Igor, Act II: Polovtsian Dances, Dance II | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | A Major | 1 | 11B | 75 BPM |