"The Time Has Come" by Ryan Dodson had its release date on December 20, 2015. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 18 out of 39 in Extraction (Original Motion Picture Soundtrack) by Ryan Dodson. The popularity of The Time Has Come is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Time Has Come by Ryan Dodson is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Repose 18 | The Peace Accord | D Minor | 4 | 7A | 120 BPM | ||
| Deep Winter | Kodomo | A♭ Major | 8 | 4B | 150 BPM | ||
| MYLANGEL (Ultra Slowed) | $noozy, réwqu, trusteki | A♭ Major | 8 | 4B | 150 BPM | ||
| Lilith (interlude) | The Widdler | A♭ Major | 8 | 4B | 150 BPM | ||
| Edge/Mechanics | Metal Scar Radio, Hybrid | A♭ Major | 8 | 4B | 150 BPM | ||
| Thinking While Gazing at a Sci-Fi City | Ambience Mastery | E Minor | 1 | 9A | 68 BPM | ||
| Push Past Pain | Night Citi Gym | A♭ Major | 8 | 4B | 150 BPM | ||
| Fortune | Lensed | A♭ Major | 8 | 4B | 150 BPM | ||
| 2055 (a Dystopian Los Angeles) | Digifluxy | E Minor | 3 | 9A | 110 BPM | ||
| entwinement | Bardea | E Major | 4 | 12B | 170 BPM | ||
| Call Me Back (Final Opus) | PA Mic | C Major | 7 | 8B | 130 BPM | ||
| LOVEGROOVE | shattered glass | A♭ Major | 8 | 4B | 150 BPM | ||
| Low Hanging Fruit of a Poisonous Tree | iconDARK | C Major | 5 | 8B | 180 BPM | ||
| LAS 7 Y PICO | Wiamank | E Minor | 5 | 9A | 176 BPM | ||
| Linearity | Songs To Your Eyes | A♭ Major | 8 | 4B | 150 BPM | ||
| Banshee Terrorizes Shayla | Ryan Dodson | B♭ Major | 3 | 6B | 114 BPM | ||
| The Lost King's Fortress | Gareth Coker | A♭ Major | 8 | 4B | 150 BPM | ||
| NO KINGS | Krazzy A | C Major | 7 | 8B | 118 BPM | ||
| Tooth and Nail | Snakes of Russia | F♯ Major | 9 | 2B | 150 BPM | ||
| Echoes of Light | Code Elektro | A♭ Major | 8 | 4B | 150 BPM | ||
| No Step Back | TeddyLoid (Altervoice) | A♭ Major | 8 | 4B | 150 BPM | ||
| Sorry for This | Ryan Dodson | E Minor | 3 | 9A | 78 BPM | ||
| Phantom Dawn | Neurovine Lattice | A Minor | 7 | 8A | 145 BPM | ||
| Without Hands | Blvck Ceiling | A♭ Major | 8 | 4B | 150 BPM | ||
| We Spill Blood | Snakes of Russia | C Major | 2 | 8B | 72 BPM |