Ramakrishna Math, Swami Sarvagananda's ' "Aparadha Kshamapana Stotram" was released on its scheduled release date, October 9, 2024. The duration of This song is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Aparadha Kshamapana Stotram's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Sri Sri Chandi". In this album, this song's track order is #28. Based on our statistics, Aparadha Kshamapana Stotram's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Aparadha Kshamapana Stotram by Ramakrishna Math, Swami Sarvagananda having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shree Ram Jai Ram Jai Jai Ram | Baba Maharaj Satarkar | E♭ Minor | 9 | 2A | 86 BPM | ||
| Namah Parvathi Pataye Hara Hara | Sri Sathya Sai Bhajans | A Major | 5 | 11B | 110 BPM | ||
| Aruna Ramana | Sri Sathya Sai | A♭ Major | 8 | 4B | 98 BPM | ||
| Sita Ram | Komal, Vishal Saini | D Minor | 4 | 7A | 120 BPM | ||
| Shiv Manas Pooja Bhag, Pt. 2 | Prem Prakash Dubey | A Major | 4 | 11B | 138 BPM | ||
| Deyi Mala Ituke Raghuraya (Ram Bhajan) | Anandraj Manik Prabhu | A♭ Major | 6 | 4B | 116 BPM | ||
| Tor chorone shyma maa | Raghab Chatterjee | D Major | 5 | 10B | 148 BPM | ||
| Poran Badhua Kala | Aditi Munshi | F Major | 5 | 7B | 112 BPM | ||
| Karu Koti Koti Pranam (Anand No Garbo) | Hari cassettes | A♭ Major | 5 | 4B | 96 BPM | ||
| Buddhi Heena | Gayathri Girish, Team | F♯ Major | 4 | 2B | 105 BPM | ||
| Mushak Vahan Modak Hast | Ajit Kadkade | D♭ Major | 5 | 3B | 123 BPM | ||
| He Gananayaka | Amma | D♭ Major | 5 | 3B | 92 BPM | ||
| Reham Nazar Karo | Sanjay Gourinandan, Pramod Medhi | D♭ Major | 6 | 3B | 77 BPM | ||
| Om Jai Jagdish Hare, Swami Jai Jagdish Hare | Shyam Saajan, Supriya | G Major | 2 | 9B | 132 BPM | ||
| Hanuman Ji Ki Aarti | Shri. Mridul Krishna Shastri | D♭ Major | 6 | 3B | 95 BPM | ||
| Badrinath Stuti | Naisha Joshi, Shailesh Pandya | D♭ Major | 5 | 3B | 100 BPM | ||
| Vinayaka Vinayaka - Natai - Adi | Udaiyalur Kalyanaraman | D♭ Major | 8 | 3B | 115 BPM | ||
| Amar Pujar Thalay | Manomay Bhattacharya | F Major | 4 | 7B | 140 BPM | ||
| Sree Sree Ramkrishna Stotram | Narendrapur University Artist, Atanu Sanyal | D Major | 2 | 10B | 177 BPM | ||
| Anandamoyee Uma | Padma Palash | D♭ Minor | 4 | 12A | 140 BPM | ||
| Vindhyavasini Stotra | Balwant Singh, Tripti Shakya | F♯ Major | 2 | 2B | 76 BPM | ||
| Aur Nahi Kachu | Ramakrishna Math, Swami Raghuramananda | C Major | 8 | 8B | 87 BPM | ||
| Chintaya Mama Manasa hari | Ramakrishna Math, Mahesh Ranjan Shome | F♯ Major | 4 | 2B | 146 BPM | ||
| Vishwa Abhudaya Mantra | Jitender Singh | E♭ Major | 6 | 5B | 91 BPM | ||
| Raghupati Raghav Rajaram | Trupti Dave, S.Trivedi | A♭ Major | 8 | 4B | 126 BPM |