"Post Cladis" by Gwen Tual had its release date on February 11, 2021. With This song being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Since Post Cladis only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Turks and Caicos Islands. In terms of popularity, Post Cladis is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Post Cladis by Gwen Tual having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Holding the Sand | BarabanZA, Nabroskyn | G Major | 2 | 9B | 77 BPM | ||
| Dystopian Future | Pejman Tadayon, Marco Pesci | E Minor | 5 | 9A | 71 BPM | ||
| The Way | Tunde Jegede | C Minor | 2 | 5A | 103 BPM | ||
| Attention Span Take 8 | R.Kuhn | A♭ Major | 2 | 4B | 77 BPM | ||
| I Know This Place — Pt. 2 | Guy Buttery, Derek Gripper, Pino Forastiere | A Minor | 2 | 8A | 77 BPM | ||
| Kin-Chim | Dikanda | D Minor | 4 | 7A | 88 BPM | ||
| Langue muette | Dhafer Youssef | A Minor | 0 | 8A | 114 BPM | ||
| Kaman Tché | Renaud Garcia-Fons | G Minor | 3 | 6A | 83 BPM | ||
| Kına Gecesi | Ashkan F. | G Minor | 4 | 6A | 90 BPM | ||
| On a wistful tone | Yovanny Adant | C Minor | 2 | 5A | 87 BPM | ||
| Anatolian Smoke | Mica Collective | F Minor | 5 | 4A | 132 BPM | ||
| Gibraltar | Mathias Duplessy, The Violins of the World | C Minor | 4 | 5A | 122 BPM | ||
| Transir | Ana Alcaide | F Major | 0 | 7B | 102 BPM | ||
| Nahawand Oud Taqasim | Greg White | C Major | 0 | 8B | 68 BPM | ||
| L'Algérie: V. La reine | Richard Carrick, Either/Or | G Major | 2 | 9B | 77 BPM | ||
| Sea foams | Faran Ensemble, Yuval Tubi, Gad Tidhar, Roy Smila, Refael Ben-Zichry | C Major | 2 | 8B | 157 BPM | ||
| Give You a Rose | Anda Union | G Minor | 3 | 6A | 125 BPM | ||
| دع نفسك تذهب الحب | Tahta Menezes, Rabih Abou-Khalil, Omar Faruk Tekbilek | C Minor | 3 | 5A | 109 BPM | ||
| Midnight Medina | Saffron Static | G Major | 2 | 9B | 77 BPM | ||
| Doux mirage | Nicolas Parent trio, Vincent Ségal | E Minor | 3 | 9A | 121 BPM | ||
| Dancing Lights | Tigrane Kazazian, Lucy Khanyan | D Minor | 1 | 7A | 90 BPM | ||
| La espera | Las Hermanas Caronni | C Major | 1 | 8B | 67 BPM | ||
| A Bird In A Dream Said The Simplest And Highest Form Of Consciousness Was Light | Li Daiguo, Slim Rothaus | G Major | 2 | 9B | 77 BPM | ||
| BEFORE & AFTER | Adnan Joubran | B Minor | 3 | 10A | 87 BPM | ||
| Jarna | Titi Robin | F Minor | 5 | 4A | 173 BPM |