Mike Scott's ' "Canary Wharf's New Prodigy" was released on its scheduled release date, February 4, 2013. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Canary Wharf's New Prodigy's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 10 in Fiesta de Los Muertos by Mike Scott. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Canary Wharf's New Prodigy is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Canary Wharf's New Prodigy by Mike Scott is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Himalaya | How Nice | E Major | 2 | 12B | 119 BPM | ||
| Symmetry | Chuck Ragan | A Minor | 9 | 8A | 129 BPM | ||
| Extract Happiness | The Breaks The Beat | A Major | 6 | 11B | 156 BPM | ||
| Pray for Tucson | Dave Hause | A Major | 5 | 11B | 89 BPM | ||
| Can't Talk My Way into You | AM Taxi | D Major | 3 | 10B | 118 BPM | ||
| Saturation Point | Mike Scott | E♭ Major | 5 | 5B | 75 BPM | ||
| Kiss The Bottle | Brendan Kelly | B Major | 5 | 1B | 84 BPM | ||
| '74, '75 | Mike Scott, Sam Russo | A Minor | 5 | 8A | 118 BPM | ||
| Red Roses | Filthy Thieving Bastards | G Major | 8 | 9B | 76 BPM | ||
| The Queen is Dead | Cokie the Clown | F Major | 4 | 7B | 168 BPM | ||
| Black Night (naked) | Time Again | G Major | 7 | 9B | 81 BPM | ||
| The Guillotine | Jared Hart | B Major | 5 | 1B | 142 BPM | ||
| Be Creative | Gavin Osborn, The Comment Section | D Major | 6 | 10B | 78 BPM | ||
| Leopold in Love | Spot Collins | A♭ Minor | 5 | 1A | 169 BPM | ||
| Untitled Bonus Track | Against Me! | B Major | 4 | 1B | 133 BPM | ||
| Violet | Joey Cape | A Major | 7 | 11B | 120 BPM | ||
| Shorter Days and Longer Nights | MakeWar | B Minor | 9 | 10A | 115 BPM | ||
| Quincentuple Your Money | Brendan Kelly | F♯ Major | 7 | 2B | 144 BPM | ||
| Dark Corner | Tony Sly | E Major | 6 | 12B | 118 BPM | ||
| Beauty Fades | Joe McMahon | G Major | 7 | 9B | 110 BPM | ||
| Empty Husk - Acoustic Version | Brady and the Grand Suites | F Major | 2 | 7B | 89 BPM | ||
| I Can't See You, but I Know You're There | Laura Jane Grace | C Major | 7 | 8B | 142 BPM | ||
| Recovery Summer | Corporate Hearts | D Major | 6 | 10B | 136 BPM | ||
| Caged Birds | Tim Vantol | C Major | 8 | 8B | 115 BPM | ||
| Amazing Grace | The Sheep | F Minor | 8 | 4A | 149 BPM |