"Lost Messiah" by John Steel, Doogie White had its release date on July 15, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 28 in Distorted Reality by John Steel. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Lost Messiah is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lost Messiah by John Steel, Doogie White is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Climbing High | Backwards | A♭ Major | 8 | 4B | 135 BPM | ||
| Restless And Wild | Mystery Blue | G Major | 9 | 9B | 144 BPM | ||
| The Brothers Were Right | Crystal Ball | E♭ Minor | 10 | 2A | 102 BPM | ||
| Hearts of Stone | Fifth Angel | B♭ Minor | 10 | 3A | 125 BPM | ||
| Black Blood | TRIUMPHER | B♭ Minor | 9 | 3A | 172 BPM | ||
| Devil’s Gearshift | The Tremolo Union | G Major | 8 | 9B | 120 BPM | ||
| Queen of Thieves | Fifth Angel | A♭ Major | 10 | 4B | 93 BPM | ||
| Run to the Black | Fifth Angel | B Major | 10 | 1B | 148 BPM | ||
| Consequence of Power | Circle II Circle | D Minor | 10 | 7A | 126 BPM | ||
| Insolent Scum | Sufosia | B Minor | 8 | 10A | 95 BPM | ||
| Still In The Game | John Norum | F♯ Minor | 10 | 11A | 176 BPM | ||
| Hard to Survive | Hunter | D Major | 9 | 10B | 140 BPM | ||
| Pattern Without Motion | Underealm | G Minor | 9 | 6A | 149 BPM | ||
| Pretenders | Todd La Torre | D♭ Major | 10 | 3B | 152 BPM | ||
| Wolf's Lair | Conception | F♯ Major | 10 | 2B | 68 BPM | ||
| The Glorious Admiral | Anguish Force | G Major | 10 | 9B | 166 BPM | ||
| Battle Hymn of Resurgence | MADLAND | B♭ Minor | 9 | 3A | 172 BPM | ||
| Battle of Frigidum | Celtic Hills | F♯ Minor | 10 | 11A | 156 BPM | ||
| Silver Moon | Stray Gods | A Minor | 8 | 8A | 82 BPM | ||
| Living to Die | Silent Force | C Minor | 10 | 5A | 120 BPM | ||
| Hate World Hero | Firewind | C Minor | 9 | 5A | 180 BPM | ||
| Why | Sinner | D Minor | 9 | 7A | 75 BPM | ||
| The Hulk | Pistonheads | B♭ Minor | 9 | 3A | 172 BPM | ||
| Shame on You | Fifth Angel | D♭ Major | 10 | 3B | 142 BPM | ||
| ...And Justice for All | Returning We Hear the Larks, HXVOC | D Major | 10 | 10B | 95 BPM |