"The Crucifixion: Recitative. Jesus said, “Father, forgive them" (Tenor, Chorus)" by John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown had its release date on May 1, 2005. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 20 in the song's album "Stainer: Crucifixion (The)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, The Crucifixion: Recitative. Jesus said, “Father, forgive them" (Tenor, Chorus)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Crucifixion: Recitative. Jesus said, “Father, forgive them" (Tenor, Chorus) by John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Messe Solennelle: Kyrie | Louis Vierne, The Choir of Canterbury Cathedral, David Flood | F Major | 1 | 7B | 170 BPM | ||
| Sub Tuum Paesidium: Sub Tuum Præsidium Pour Sopranos, Altos Et Orgue | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | E♭ Major | 1 | 5B | 77 BPM | ||
| Psalm 9 "I Will Give Thanks unto Thee, O Lord" | Thomas Attwood Walmisley, York Minster Choir, John Scott Whiteley, Philip Moore | A Major | 1 | 11B | 131 BPM | ||
| Alleluia! Sing to Jesus! SHZ 340 | Laestadian Lutheran Church, Laurel Loukusa, Liisa Keranen, Aamos Anderson, Aabel Anderson | F Major | 2 | 7B | 82 BPM | ||
| Psalm 112 | Peter Stevens, Simon Johnson, Westminster Cathedral Choir | A Minor | 2 | 8A | 79 BPM | ||
| St Anne’s Mass: IV. Agnus Dei | James MacMillan, Cappella Nova, Alan Tavener | F Major | 0 | 7B | 64 BPM | ||
| O Saviour of the World | John Goss, Choir of Clare College, Cambridge, Timothy Brown | A♭ Major | 0 | 4B | 134 BPM | ||
| Psalm 42 | Zoals een hert dorst | Mannenensemble Espressione | A♭ Major | 1 | 4B | 73 BPM | ||
| Life of Christ, Renew Me | Margaret Rizza, Kevin Mayhew Ltd | A Major | 1 | 11B | 89 BPM | ||
| Messe solennelle, Op. 16: I. Kyrie | Louis Vierne, Gloucester Cathedral Choir, Mark Lee, David Briggs | D♭ Minor | 1 | 12A | 73 BPM | ||
| Book II, No. 18 'Non mai non cangerò' | Carlo Gesualdo, Capella Vocale Hamburg, Martin Behrmann | F Major | 2 | 7B | 84 BPM | ||
| Requiem for the Living: III. Agnus Dei | Providence Singers, Christine Noel | B♭ Minor | 0 | 3A | 95 BPM | ||
| Lord, for thy tender mercy's sake | Richard Farrant, Voices of Ascension Chorus, Voices of Ascension Orchestra, Dennis Keene | A♭ Major | 0 | 4B | 78 BPM | ||
| Mun kotini taivaassa ihana on (SL 260a) | Seuralaulu, SRK:n kuoro, SRK:n orkesteri, Juha Paukkeri | G Major | 1 | 9B | 171 BPM | ||
| Emmanuel | Andrew Wright, The Brentwood Cathedral Consort | G Minor | 1 | 6A | 83 BPM | ||
| Stanford: Magnificat In A | Manchester Cathedral Choir, Jeffrey Makinson | A Major | 1 | 11B | 48 BPM | ||
| Psalm 25 "Unto Thee, O Lord, Will I Lift Up My Soul" | John Goss, Rochester Cathedral Choir, Roger Sayer, Barry Ferguson | C Major | 1 | 8B | 79 BPM | ||
| No Small Wonder | The Concord Singers | E Minor | 0 | 9A | 68 BPM | ||
| Angel Voices, Ever Singing | Edwin George Monk, Choir of St Mary's Cathedral, Edinburgh, Peter Backhouse, Dennis Townhill | F Major | 0 | 7B | 129 BPM | ||
| Psalm 9 "Confitebor tibi" | Thomas Attwood, John Stainer, St. Paul's Cathedral Choir, John Scott, Andrew Lucas | B♭ Major | 1 | 6B | 75 BPM | ||
| I Know a Fount | Canadian Staff Songsters | C Minor | 2 | 5A | 77 BPM | ||
| Hail, Queen of Heaven | The Palestrina Choir, Blanaid Murphy | D♭ Minor | 0 | 12A | 87 BPM | ||
| The Crucifixion: Chorus. The Appeal of the Crucified | John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown | E Major | 0 | 12B | 122 BPM | ||
| Ave Maria | James MacMillan, St Salvator's Chapel Choir, Sean Heath, Tom Wilkinson | B Minor | 2 | 10A | 69 BPM | ||
| God so Loved the World | John Stainer, Elnora Bible Institute Choir, Lyle Stutzman | D♭ Major | 1 | 3B | 82 BPM |