Orlande de Lassus, Julyo's ' "O la, o che bone eccho!" was released on its scheduled release date, August 19, 2019. With This song being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 63 in the song's album "Time Machine: The Renaissance". In this album, this song's track order is #55. Furthermore, we believe that the track originated from United States. In terms of popularity, O la, o che bone eccho! is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With O la, o che bone eccho! by Orlande de Lassus, Julyo having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missa Iste confessor domini: Christe Ia | Pierre de la Rue, Musurgia Ensemble, João Francisco Távora | E♭ Minor | 1 | 2A | 86 BPM | ||
| O Little Rose, O Dark Rose | Gerda Blok-Wilson, The Gesualdo Six, Owain Park | D Minor | 2 | 7A | 69 BPM | ||
| Missa O lumen ecclesie: Christe | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F♯ Minor | 3 | 11A | 78 BPM | ||
| Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 76 BPM | ||
| Psalm 96, "Chantez a Dieu chanson nouvelle" | Jan Pieterszoon Sweelinck, Voices of Ascension Chorus, Dennis Keene | E Minor | 1 | 9A | 86 BPM | ||
| Si era la ora sase (Gheorghe Mandicevschi) | Corul Madrigal | A Minor | 0 | 8A | 61 BPM | ||
| Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart, Sonntraud Engels-Benz, Frieder Bernius | D♭ Major | 1 | 3B | 66 BPM | ||
| Missa si Deus pro nobis, a 16 voci: VIII. Agnus Dei | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | A Minor | 1 | 8A | 87 BPM | ||
| Lagrime di San Pietro: XXI. Vide homo, quæ pro te patior | Orlande de Lassus, Gallicantus, Gabriel Crouch | F Minor | 0 | 4A | 137 BPM | ||
| Missa "Orbis factor": Kyrie | Fernão Gomes Correia, Capella Duriensis, Jonathan Ayerst | A♭ Minor | 2 | 1A | 83 BPM | ||
| The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
| Psalmus Sextus Poenitentialis: "De profundis clamavi ad te Domine" | Orlande de Lassus, Collegium Vocale Gent, Philippe Herreweghe | F Major | 2 | 7B | 67 BPM | ||
| Missa Paschalis, ZWV 7: Gloria. Qui tollis | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM | ||
| Ich bin die Auferstehung und das Leben, SWV 464 | Heinrich Schütz, Vox Luminis, Lionel Meunier | D Minor | 1 | 7A | 134 BPM | ||
| Messe vidi turbam magnam: No. 7, Agnus dei | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 1 | 7B | 67 BPM | ||
| Prophetiae Sibyllarum: Prologue | Orlande de Lassus, Vocalconsort Berlin, Daniel Reuss | G Major | 1 | 9B | 81 BPM | ||
| Canzoni a quattro voci, Op. 1: No. 4, La Merula | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Judas mercator pessimus, ITV 59: No. 1, Judas mercator pessimus osculo petiit Dominum | Tomás Luis de Victoria, Pro Musica, Szabó Dénes | G Minor | 1 | 6A | 76 BPM | ||
| Illumina faciem tuam | Carlo Gesualdo, Owain Park, The Gesualdo Six | F Major | 1 | 7B | 136 BPM | ||
| Angelus ad pastores ait | Andrea Gabrieli, Il Pomo D'oro, Giuseppe Maletto | G Minor | 1 | 6A | 100 BPM | ||
| Glory... Only Begotten Son, Op. 9 No. 2 | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 69 BPM | ||
| Farewell the Bliss | The Royal Wind Music | B♭ Minor | 1 | 3A | 91 BPM | ||
| Quam pulchra es, LV 838 | Orlande de Lassus, La Tempête, Simon-Pierre Bestion | A Minor | 5 | 8A | 100 BPM | ||
| Esti dal - Nachtlied | Klaus-Martin Bresgott, Zoltán Kodály, Athesinus Consort Berlin, Arno Schneider, Katja Kunze, Heike O. Scheel, Stephan M. Gähler, Stefan Quirin Drexlmeier | F Major | 0 | 7B | 130 BPM | ||
| Palestrina: Missa Papae Marcelli - 5a. Agnus Dei 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 66 BPM |