On April 12, 2024, the song "Sonate e Partite: No. 5, Rondeau (Recomposed by Luca Astolfoni Fossi)" was released by Francesco Lecce, Claudio Ferrarini. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 25 in Francesco Lecce: 67 Sonate e Partite. Works for Unaccompanied Violin Recomposed for Solo Flute by Luca Astolfoni Fossi, Book I by Francesco Lecce, Claudio Ferrarini. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Sonate e Partite: No. 5, Rondeau (Recomposed by Luca Astolfoni Fossi) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sonate e Partite: No. 5, Rondeau (Recomposed by Luca Astolfoni Fossi) by Francesco Lecce, Claudio Ferrarini is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ouverture in G Minor: IV. Loure | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Minor | 1 | 4A | 130 BPM | ||
| Locatelli : Concerto grosso in E flat major Op.4 No.10 : I Adagio | Pietro Locatelli, Concerto Köln | F♯ Minor | 2 | 11A | 139 BPM | ||
| Sonate e Partite: No. 55, Moderato (Recomposed by Luca Astolfoni Fossi) | Francesco Lecce, Claudio Ferrarini | F Major | 2 | 7B | 70 BPM | ||
| Il pianto d'Arianna in E-Flat Major, Op. 7 No.6: X. Largo | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | D Minor | 0 | 7A | 97 BPM | ||
| Concerto No. 1 In D Major RV 549: I. Allegro (Vivaldi) | Accademia Bizantina | D♭ Major | 2 | 3B | 121 BPM | ||
| La Gamme en forme de petit Opéra: I. Ut - Ré | Marin Marais, The Scale Knitters | G Minor | 2 | 6A | 96 BPM | ||
| Sonata for violoncello and basso continuo in G Major, WKO 147: II. Adagio | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 1 | 2B | 174 BPM | ||
| Musique de table 'Tafelmusik', Solo Sonata in G minor (oboe & strings): I. Largo | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | F♯ Minor | 1 | 11A | 79 BPM | ||
| Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
| I - Grave from: Concerto No. 1 in f minor | Accademia Bizantina | E Minor | 1 | 9A | 108 BPM | ||
| Violin Sonata No. 6 in A Minor: I. Largo | Francesco Maria Veracini, Federico Guglielmo, L'Arte dell' Arco | B Major | 2 | 1B | 126 BPM | ||
| Sonates pour le violoncelle avec la basse continue, livre II, sonate No. 2: I. Adagio | Jean Barrière, Bruno Cocset, Les Basses Réunies, Guido Balestracci | F Minor | 1 | 4A | 73 BPM | ||
| Concerto Grosso in D Minor "La Folia" | Francesco Geminiani, Orchestre De Chambre De Toulouse, Gilles Colliard | B Minor | 2 | 10A | 85 BPM | ||
| Galuppi: Flute Concerto in D Major: III. Allegro assai | Baldassare Galuppi, Jean-Pierre Rampal, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks | D Minor | 2 | 7A | 141 BPM | ||
| Concerto in A Major, Wq. 8: II. Andante | Carl Philipp Emanuel Bach, Berliner Barock Solisten, Michael Rische | A Minor | 0 | 8A | 91 BPM | ||
| Van Wassenaer: Concerto Armonico No. 2 in B-Flat Major: III. Adagio affettuoso | Unico Wilhelm van Wassenaer, Amsterdam Baroque Orchestra, Ton Koopman | G Minor | 3 | 6A | 78 BPM | ||
| Concerto Armonico No. 4 in G Major: Allegro | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 2 | 2B | 121 BPM | ||
| Ouverture No. 6 in G Minor: II. Largo | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
| Aria V: Tempo giusto - Double | Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider | F♯ Minor | 4 | 11A | 132 BPM | ||
| Concerto Grosso in D Major, Op. 3, No. 1: I. Adagio | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Major | 0 | 10B | 138 BPM | ||
| 12 Concerti grossi, Op.6 - Concerto grosso in Bb major, Op. 6, No. 7: 2. Allegro | George Frideric Handel, Handel & Haydn Society, Christopher Hogwood | A Major | 3 | 11B | 85 BPM | ||
| Oboe Concerto in C Minor: I. Allegro ma poco | Christoph Förster, Xenia Löffler, Batzdorfer Hofkapelle | A Major | 1 | 11B | 102 BPM | ||
| Symphony No. 8 in D Minor, Op. 2, "Worcester Overture": II. Largo Andante | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 70 BPM | ||
| Concerto for Flute, English Horn, Strings and B.c. "Amabile baltà": Allegro ma non troppo ("Più amabile beltà" from Opera 'Giulio Cesare', HWV 17) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Matthieu Gauci-Ancelin, Jakub Haufa, Monika Razynska | D♭ Major | 2 | 3B | 122 BPM | ||
| Mystery Sonata No. 6 "Christ on the Mount of Olives": I. Lamento | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B Major | 0 | 1B | 97 BPM |