On March 25, 2002, the song "Maa No Prem Amap" was released by Mathurbhai Kanjariya, Rekha Rathod. This song appears to be safe for all ages as it is not explicit. The track order of this song in Mathurbhai Kanjariya, Rekha Rathod's "Meera Mahel Thi Utarya" album is number 2 out of 4. On top of that, India appears to be the country where this track was created. The popularity of Maa No Prem Amap is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Maa No Prem Amap by Mathurbhai Kanjariya, Rekha Rathod to be Presto (very, very fast) because the track has a tempo of 183 BPM, a half-time of 92BPM, and a double-time of 366 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sada Shiv Sarvavdata | Narayan Thakar | C Major | 8 | 8B | 107 BPM | ||
| baba kingre wale baba | Ashu Verma | A Major | 6 | 11B | 139 BPM | ||
| Ajab Kaya no Ghadnaro | NARAYANSWAMI | F Major | 5 | 7B | 100 BPM | ||
| Deewana Machal Raha | Manoj Sharma Gwalior | D♭ Minor | 6 | 12A | 146 BPM | ||
| Ari Mero Marg Rokyo Krishan Kanahaiya Ne | Sur Shyam Gaushala Rajendra Das ji Maharaj | D♭ Minor | 6 | 12A | 128 BPM | ||
| Mera Bajarang Sote Wala | Manish Tiwari | D♭ Major | 5 | 3B | 93 BPM | ||
| Somnathe Jatala Jogi No Melo | Jayshree Bhojaviya, Mathurbhai Kanjariya | A♭ Minor | 6 | 1A | 178 BPM | ||
| Chamunda Chalisa | Ishardan Gadhvi | D♭ Major | 5 | 3B | 82 BPM | ||
| Ram Nam Tu Bhaj Le Pradi | Parmod Kumar | D♭ Major | 6 | 3B | 85 BPM | ||
| Girnari Ke Shaher Me | Gopal Sadhu, Mayur Dave, Raj Gadhvi | F Minor | 9 | 4A | 124 BPM | ||
| Maroli Javo Tame Madi Ne Manavo | Nidhi Dholkiya, Mathurbhai Kanjariya | D♭ Minor | 4 | 12A | 149 BPM | ||
| Balaji Mera Rog Kaat De | Narender Kaushik | G Major | 10 | 9B | 129 BPM | ||
| Sundarkand Ramayan Chaupai | Pankaj Mishra | D♭ Major | 3 | 3B | 120 BPM | ||
| The To Jave Pardesh | Champe Khan | D♭ Major | 8 | 3B | 92 BPM | ||
| Dulha Bane Hai Shri Ram | Pandit Gaurangi Gauri Ji | G Major | 8 | 9B | 170 BPM | ||
| Tera Diwla Jagmag Hoi | Gyanendra Sharma | A♭ Major | 7 | 4B | 137 BPM | ||
| Sandhya Shamye Shri Krishna Padhriya - Sandhya Aarti | Nidhi Dholakia, Nitin Devka | F♯ Minor | 9 | 11A | 86 BPM | ||
| Thara Mandir M Lagi Jaga Jyot Devi Mhari Jagdamba | Ashwin Yadav | B♭ Major | 10 | 6B | 145 BPM | ||
| Kum Kum Kera Charan Pacharo Guru Jambh Dev Bhajan | Sant Rajuram Ji | A♭ Minor | 8 | 1A | 86 BPM | ||
| Vir Shree Tejaji Aarti | Kishor Mandiya Jat | C Minor | 8 | 5A | 80 BPM | ||
| Apno Braj Dekhan Ko Aaye Jaiyo | K. S. Chithra, Vichitra | E♭ Major | 9 | 5B | 88 BPM | ||
| Garjat Aawe Maai Nawagadh Ke | Yuvraj Pandey | B♭ Major | 7 | 6B | 86 BPM | ||
| Vina Darshan Badi Zhanjhari | Laxman Barot | B Major | 10 | 1B | 83 BPM | ||
| Kalja Kero Katko | Gopal Sadhu | A Major | 9 | 11B | 93 BPM | ||
| Tere Damru Ki Dhun Sunke Main Kashi Nagri Aai Hu | Pandit Pradeep Ji Mishra | D♭ Major | 6 | 3B | 94 BPM |