On August 6, 2005, the song "Naagpanchami Mahadevacha Poha" was released by Ranjana Thakur. This song is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. The track order of this song in Ranjana Thakur's "Mahadevacha Poha Challa" album is number 7 out of 8. On top of that, India appears to be the country where this track was created. Naagpanchami Mahadevacha Poha is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Naagpanchami Mahadevacha Poha by Ranjana Thakur to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dandalu Dandalu Srirama | Akunuri Devayya | B Major | 6 | 1B | 143 BPM | ||
| Tuni Yaad Maa Mi Roz Radas (feat. Dinesh Mahajan) | Bhaiya More, Sampada Donde, Dinesh Mahajan | B♭ Minor | 5 | 3A | 119 BPM | ||
| Zidd Hai Itihaas Badalne Ki | Arunesh Arun, Ankita Singh | A♭ Major | 6 | 4B | 90 BPM | ||
| Aari Miri Sonchafa | Sonali Bhoir, Parmesh Mali | G Major | 7 | 9B | 89 BPM | ||
| Aadivasi Ma Janam Dina | Sandip Sonawane, Anil Kuvar | B Major | 9 | 1B | 90 BPM | ||
| Bailgadi Sajavali | Shashank Patil | B♭ Minor | 9 | 3A | 188 BPM | ||
| Tu Chandni Kumodini | Yuvraj Pradhan | G Major | 9 | 9B | 97 BPM | ||
| Arti Mahadeva Sadashiva | Ranjana Thakur | E♭ Minor | 6 | 2A | 83 BPM | ||
| Hi Duniya Kunasathi | Yuvraj Pradhan | B Minor | 10 | 10A | 115 BPM | ||
| Bondhu amay diche chithi | Momotaz | F♯ Major | 8 | 2B | 177 BPM | ||
| Lanka Me Danka | Reshmi Sharma | E♭ Minor | 8 | 2A | 170 BPM | ||
| Kunya Devakade Magu Tula G | Kishor Jawale | F♯ Major | 9 | 2B | 180 BPM | ||
| Maza Radata Chehara Pahun Tula Khushi Zali Asal | Vishnu Chole, Gokul Ambildhage | E♭ Minor | 8 | 2A | 170 BPM | ||
| Bewafa Sanam (feat. Naval Mali) | Govind Gayakwad, Naval Mali | A♭ Major | 9 | 4B | 185 BPM | ||
| Sagar Bhoir Shirdhonvala Panvel Ek Number Chakdevala | Parmesh Mali | F♯ Minor | 9 | 11A | 102 BPM | ||
| Chimta Dharun Hatala Mi Nighalo Kanifnathala | Sonu Sathe | A Major | 9 | 11B | 120 BPM | ||
| Lek Tulas Vrundavan | Shahir Vikas Lambore | E♭ Minor | 8 | 2A | 170 BPM | ||
| Tila Avadat Hota Dusara | Kishor Jawale | D♭ Major | 9 | 3B | 82 BPM | ||
| Sukhi Rahude Lakhabai Kunkwacha Dhani | Renukatai Jejurikar | E♭ Minor | 8 | 2A | 170 BPM | ||
| Sai Dham | Zale Tuze Darshan Sai - Official, Omkar Mahadik | A♭ Major | 9 | 4B | 90 BPM | ||
| Chhau Tore Charan Me Pran | Dilip Darbhangiya | F♯ Minor | 9 | 11A | 130 BPM | ||
| Govind Chale Aao Gopal Chale Aao | Aarti Ji | E♭ Minor | 8 | 2A | 170 BPM | ||
| Mala Bhetay Yeu Nako | Hrutik Gangavne | E♭ Minor | 8 | 2A | 170 BPM | ||
| Paru Nesli Navaa Saraa | Vaibhav Bhunu, Rajneesh Patel, Sonali Bhoir | A♭ Major | 7 | 4B | 87 BPM | ||
| Ka Ghat Maza Karuni Tu Rani Dhoka Dila | Unmesh Tayade, Gokul Ambildhage | G Major | 9 | 9B | 120 BPM |