Jake Heggie, Houston Grand Opera, Kwamé Ryan, Jamie Barton, Joshua Blue's 'Intelligence, Act One: Scene 5, The Journal' had a release date set for August 29, 2025. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Intelligence, Act One: Scene 5, The Journal's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jake Heggie, Houston Grand Opera, Kwamé Ryan, Janai Brugger, Jamie Barton, J'nai Bridges's "Jake Heggie: Intelligence" album is number 11 out of 25. Intelligence, Act One: Scene 5, The Journal is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Intelligence, Act One: Scene 5, The Journal by Jake Heggie, Houston Grand Opera, Kwamé Ryan, Jamie Barton, Joshua Blue to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pêcheur de lune | Manuel Rosenthal, Julie Roset, Susan Manoff | F Major | 2 | 7B | 80 BPM | ||
| Un ballo in maschera, Act II: Seguitemi - Ve', se di notte | Giuseppe Verdi, Renato Bruson, Katia Ricciarelli, Ruggero Raimondi, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | B♭ Minor | 1 | 3A | 78 BPM | ||
| Salome, Op. 54 / Scene 4: "Ah! Herrlich! Wundervoll, wundervoll!" | Richard Strauss, Leonie Rysanek, Cheryl Studer, Horst Hiestermann, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 71 BPM | ||
| Puccini : La bohème : Act 2 "Quando me'n vo soletta" [Musetta, Marcello, Alcindoro, Mimì] | Giacomo Puccini, James Conlon, Orchestre National De France | E Major | 1 | 12B | 87 BPM | ||
| Petite messe solennelle: VI. Gloria. Gratias | Gioachino Rossini, Giulio Prandi, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti | A Minor | 0 | 8A | 144 BPM | ||
| Das Lied von der Erde: III. Von der Jugend. Behaglich, heiter | Gustav Mahler, Les Siècles, François-Xavier Roth, Andrew Staples | F Major | 2 | 7B | 80 BPM | ||
| Eve-Song: Snake | Jake Heggie | F Minor | 0 | 4A | 76 BPM | ||
| Intelligence, Act Two: Scene 4, Midnight outside the Van Lew Mansion | Jake Heggie, Houston Grand Opera, Kwamé Ryan, Janai Brugger, Michael Mayes, Nicholas Newton, Joshua Blue | D♭ Major | 2 | 3B | 141 BPM | ||
| Simon Boccanegra: Prologo: Che dicesti (Paolo, Pietro, Simone, Coro) | Giuseppe Verdi, Mattia Olivieri, Andrea Pellegrini, Ludovic Tezier, Coro del Teatro di San Carlo di Napoli, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | F Major | 2 | 7B | 80 BPM | ||
| Manon Lescaut / Act 1: Discendono, vediam! | Giacomo Puccini, Ramón Vargas, Dwayne Croft, Luciano Pavarotti, Federico Davia, Giuseppe Taddei, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | D Major | 1 | 10B | 81 BPM | ||
| Strauss, R: 5 Lieder, Op. 48: I. Freundliche Vision | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | D Major | 0 | 10B | 171 BPM | ||
| Orff: Carmina Burana, Pt. 3, Cour d'amours: Amor volat undique | Carl Orff, Sir Simon Rattle, Knaben des Staats- und Domchors Berlin, Sally Matthews, Berliner Philharmoniker | G Major | 0 | 9B | 126 BPM | ||
| Camille Claudel, Into the Fire: IV. La Petite Châtelaine | Jake Heggie, Joyce DiDonato, Alexander String Quartet | E♭ Major | 0 | 5B | 129 BPM | ||
| Andrea Chénier / Act 1: Passiamo la sera allegramente! ... O Pastorelle addio! | Umberto Giordano, Hugues Cuénod, Florindo Andreolli, Astrid Varnay, Luciano Pavarotti, Montserrat Caballé, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | A Major | 1 | 11B | 75 BPM | ||
| Songs for Murdered Sisters: No. 7, Rage | Jake Heggie, Joshua Hopkins | E Major | 2 | 12B | 90 BPM | ||
| Copland: Old American Songs, Set 2: No. 1, The Little Horses | Aaron Copland, Jennifer Larmore, Antoine Palloc | A♭ Major | 2 | 4B | 81 BPM | ||
| Amarilli, mia bella | Giulio Caccini, Samuel Mariño, Jonathan Ware | G Major | 0 | 9B | 126 BPM | ||
| Act 1: Scene One: | Engelbert Humperdinck, Suzzane Mentzer, Hansel, Heidi Grant Murphy, Gretel, Andreas Delfs | G Minor | 1 | 6A | 75 BPM | ||
| Peter Grimes, Op. 33 / Prologue: "Peter Grimes!" | Benjamin Britten, David Kelly, Owen Brannigan, Sir Peter Pears, Orchestra of the Royal Opera House, Covent Garden | G Major | 1 | 9B | 104 BPM | ||
| La Damnation de Faust, Op. 24, H 111 / Pt. 1: Scène 1. "Le vieil hiver a fait place au printemps" | Hector Berlioz, Kenneth Riegel, Chicago Symphony Orchestra, Sir Georg Solti | G Major | 1 | 9B | 75 BPM | ||
| Roussel: Odes anacréontiques, Op. 31: No. 2, Qu'il faut boire | Albert Roussel, José van Dam, Dalton Baldwin | A Major | 0 | 11B | 115 BPM | ||
| Cilea: L'arlesiana, Act 2: "Ah! Vieni con me sui monti" (Baldassarre, Federico) | Francesco Cilea, Charles Rosekrans, Barry Anderson, Péter Kelen, Hungarian State Orchestra | B Major | 0 | 1B | 82 BPM | ||
| Gianni Schicchi: "Ai miei cugioni Zita e Simone" | Giacomo Puccini, Ewa Podles, Enrico Fissore, Roberto Alagna, Ricardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | C Major | 0 | 8B | 97 BPM | ||
| Emily — No Prisoner Be: No. 2, I was the slightest in the House — | Kevin Puts, Time For Three, Joyce DiDonato | F Major | 2 | 7B | 80 BPM | ||
| Bellini: I puritani: "Credeasi, misera, da me tradita" (Arturo, Elvira, Riccardo, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D♭ Major | 3 | 3B | 181 BPM |